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  1. The representation of action in Italian Sign Language (LIS).Virginia Volterra, Pasquale Rinaldi, Chiara Bonsignori & Elena Tomasuolo - 2020 - Cognitive Linguistics 31 (1):1-36.
    The present study investigates the types of verb and symbolic representational strategies used by 10 deaf signing adults and 13 deaf signing children who described in Italian Sign Language 45 video clips representing nine action types generally communicated by five general verbs in spoken Italian. General verbs, in which the same sign was produced to refer to several different physical action types, were rarely used by either group of participants. Both signing children and adults usually produced specific depicting predicates by (...)
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  • From action to spoken and signed language through gesture.Virginia Volterra, Olga Capirci, Pasquale Rinaldi & Laura Sparaci - 2018 - Interaction Studies 19 (1-2):216-238.
    We review major developmental evidence on the continuity from action to gesture to word and sign in human children, highlighting the important role of caregivers in the development of multimodal communication. In particular, the basic issues considered here and contributing to the current debate on the origins and development of the language-ready brain are: (1) links between early actions, gestures and words and similarities in representational strategies; (2) importance of multimodal communication and the interplay between gestures and spoken words; (3) (...)
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  • Production and Comprehension of Pantomimes Used to Depict Objects.Karin van Nispen, W. Mieke E. van de Sandt-Koenderman & Emiel Krahmer - 2017 - Frontiers in Psychology 8.
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  • What’s in a mime?Marta Sibierska, Monika Boruta-Żywiczyńska, Przemysław Żywiczyński & Sławomir Wacewicz - 2022 - Interaction Studies 23 (2):289-321.
    Several lines of research within developmental psychology, experimental semiotics and language origins studies have recently converged in their interest in pantomime as a system of bodily communication distinct from both language (spoken or signed) and nonlinguistic gesticulation. These approaches underscore the effectiveness of pantomime, which despite lack of semiotic conventions is capable of communicating complex meanings. However, very little research is available on the structural underpinnings of this effectiveness, that is, the specific properties of pantomime that determine its communicative success. (...)
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  • The communicative importance of agent-backgrounding: Evidence from homesign and Nicaraguan Sign Language.Lilia Rissman, Laura Horton, Molly Flaherty, Ann Senghas, Marie Coppola, Diane Brentari & Susan Goldin-Meadow - 2020 - Cognition 203 (C):104332.
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  • Hearing non-signers use their gestures to predict iconic form-meaning mappings at first exposure to signs.Gerardo Ortega, Annika Schiefner & Aslı Özyürek - 2019 - Cognition 191 (C):103996.
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  • Pantomime (Not Silent Gesture) in Multimodal Communication: Evidence From Children’s Narratives.Paula Marentette, Reyhan Furman, Marcus E. Suvanto & Elena Nicoladis - 2020 - Frontiers in Psychology 11.
    Pantomime has long been considered distinct from co-speech gesture. It has therefore been argued that pantomime cannot be part of gesture-speech integration. We examine pantomime as distinct from silent gesture, focusing on non-co-speech gestures that occur in the midst of children’s spoken narratives. We propose that gestures with features of pantomime are an infrequent but meaningful component of a multimodal communicative strategy. We examined spontaneous non-co-speech representational gesture production in the narratives of 30 monolingual English-speaking children between the ages of (...)
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  • From iconic handshapes to grammatical contrasts: longitudinal evidence from a child homesigner.Marie Coppola & Diane Brentari - 2014 - Frontiers in Psychology 5.
    Many sign languages display crosslinguistic consistencies in the use of two iconic aspects of handshape, handshape type and finger group complexity. Handshape type is used systematically in form-meaning pairings (morphology): Handling handshapes (Handling-HSs), representing how objects are handled, tend to be used to express events with an agent (“hand-as-hand” iconicity), and Object handshapes (Object-HSs), representing an object's size/shape, are used more often to express events without an agent (“hand-as-object” iconicity). Second, in the distribution of meaningless properties of form (morphophonology), Object-HSs (...)
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