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  1. On Friedrich Kittler’s ‘Authorship and Love’.Geoffrey Winthrop-Young - 2015 - Theory, Culture and Society 32 (3):3-13.
    This article provides a short introduction to Friedrich Kittler’s 1980 essay ‘Authorship and Love’ by showing how it fits into the development of Kittler’s thought. The stark contrast between superficially similar scenes in Goethe’s Werther and Dante’s Divine Comedy, each of which is said to represent fundamentally different conceptualizations of authorship and love, is a revealing instance of Kittler's distinctive and polemical appropriation of French post-structuralism as well as of his subsequent switch from discourse analysis to media theory. Ultimately, ‘Authorship (...)
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  • Michel Foucault, Friedrich Kittler, and the interminable half-life of “so-called man”.Thomas Sutherland & Elliot Patsoura - 2017 - Angelaki 22 (4):49-68.
    This article considers Friedrich Kittler’s deterministic media theory as both an appropriation and mutation of Michel Foucault’s archaeological method. Focusing on these two thinkers’ similar but divergent conceptions of the “death of man,” it will be argued that Kittler’s approach attempts to expunge archaeology of its last traces of Kantian transcendentalism by locating the causal agents of epistemic change within the domain of empirical experience, but in doing so, actually amplifies the anthropological vestiges that Foucault hoped to eradicate. The result (...)
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  • Friedrich Kittler: E-Special Introduction.Jussi Parikka & Paul Feigelfeld - 2015 - Theory, Culture and Society 32 (7-8):349-358.
    This e-Special Issue of Theory, Culture & Society focuses on the German media theorist Friedrich Kittler’s impact across the field of humanities. By including Kittler’s own texts and other scholars’ articles that continue or comment on Kittler’s work, the editors have sought to address the core aspects of Kittler’s provocative insights into how media technologies underpin our cultural formations. The editorial introduction sets out key sections on technology, aesthetics, ontology and epistemology, identified as the significant axes where Kittler opens up (...)
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