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This paper calls into question the view typically attributed to Kant that aesthetic judgements are particularist, resisting all conceptual determination. Instead, it claims that Kant conceives of aesthetic judgements, particularly of art, as playing an important role in therevisionof concepts: one sense in which aesthetic judgements, as Kant defines them, ‘find a universal’ for a given particular. To understand the relation between artistic judgements and concepts requires that we consider what I call Kant’s diachronic account of aesthetic ideas, or how (...) |
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Mind-wandering seems to be paradigmatically unintentional. However, experimental findings have yielded the paradoxical result that mind-wandering can also be intentional. In this paper, we first present the paradox of intentional mind-wandering and then explain intentional mind-wandering as the intentional omission to control one’s own thoughts. Finally, we present the surrealist method for artistic production to illustrate how intentional omission of control over thoughts can be deployed towards creative endeavors. |
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(1996). Photomechanical tendencies in Giorgio de Chirico's Melancholy vision. The European Legacy: Vol. 1, Fourth International Conference of the International Society for the Study of European Ideas, pp. 1310-1315. |
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This commentary questions the general assumptions concerning the cognitive value of analogical reasoning on which the argument developed by Leech et al. appears to rest. In order to better assess the findings of their meta-analysis, it shifts the perspective from development to evolution, and frames their concern within a broader issue. |
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The final conception of my music marvel is to create a binary musical community center with auditorium and rooms for music therapy/school purposes but also creating a space for urban “flaneur” the wanderer of the city that can visit accidently and still have memorable experiences through seasonal exhibitions and pop up shows. The space will be divided into active and passive spaces, in which the active space will consist of an auditorium and acoustics insulated rooms for musical activities, and the (...) |
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This is the study of the creative potential of mediumship. It emphasizes a neglected and under-conceptualized form of creativity in the realm of personality development. Examples include the cases of mediums Pearl Curran, Hélѐne Smith, and Matthew Manning. Artists with mediumistic propensities are stressed, such as Keats, Rimbaud, Blake, Yeats, and James Merrill. There is discussion of Myers' theory of genius and how this bears on the concept of personal transformation. Myers' theory is used to shed light on Surrealism, outsider (...) |
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This article examines ways in which dancers, dancing and choreography came to embody ideas of American identity and power after the Second World War. It does this through a study of the work of ballet choreographer George Balanchine. I focus on an analysis of one particular ballet, The Four Temperaments(1946), which proved to be a defining work in Balanchine's career. Balanchine arrived in New York from Europe in 1934 and spent the next decade as an itinerant choreographer whose ballets were (...) |
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Despite its strengths, Leech et al.'s model fails to address the important benefits that derive from self-explanation and task feedback in analogical reasoning development. These components encourage explicit, self-reflective processes that do not necessarily link to knowledge accretion. We wonder, therefore, what mechanisms can be included within a connectionist framework to model self-reflective involvement and its beneficial consequences. |
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Leech et al.'s model proposes representing relations as primed transformations rather than as structured representations (explicit representations of relations and their roles dynamically bound to fillers). However, this renders the model unable to explain several developmental trends (including relational integration and all changes not attributable to growth in relational knowledge). We suggest looking to an alternative computational model that learns structured representations from examples. |
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