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  1. (1 other version)Kant against the cult of genius: epistemic and moral considerations.Jessica J. Williams - 2021 - In Camilla Serck-Hanssen & Beatrix Himmelmann (eds.), Proceedings of the 13th International Kant Congress: The Court of Reason (Oslo, 6–9 August 2019). De Gruyter. pp. 919-926.
    In the Critique of Judgment, Kant claims that genius is a talent for art, but not for science. Despite his restriction of genius to the domain of fine art, several recent interpreters have suggested that genius has a role to play in Kant’s account of cognition in general and scientific practice in particular. In this paper, I explore Kant’s reasons for excluding genius from science as well as the reasons that one might nevertheless be tempted to think that his account (...)
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  • Discussion Topics in the History of the Development of Immanuel Kant’s third «Critique».Vitali Terletsky - 2018 - Sententiae 37 (2):49-61.
    This paper deals with the so-called “external history” of the origin of Critique of the power of judgment that is based primarily on the philosopher’s correspondence in the period between May 1787 and October 1789. Two letters from Kant to Reinhold (28.12.1787 and 12.05.1789) as well as modifications in the interpretation of the term “aesthetics” in the first Critique (KrVA 22, B 35-36) are crucial for the evolution of the project Critique of Taste in the book Critique of the Power (...)
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  • Reason Over Genius: Kant’s Rejection of Genius in Philosophy and Science.Eric Lam - forthcoming - In Pedro Jesús Teruel (ed.), Kant, then and now. On the tricentenary of his birth. Valencia: Tirant lo Blanch.
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