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  1. Bodily awareness, imagination, and the self.Joel Smith - 2006 - European Journal of Philosophy 14 (1):49-68.
    Common wisdom tells us that we have five senses: sight, hearing, smell, taste and touch. These senses provide us with a means of gaining information concerning objects in the world around us, including our own bodies. But in addition to these five senses, each of us is aware of our own body in way in which we are aware of no other thing. These ways include our awareness of the position, orientation, movement, and size of our limbs (proprioception and kinaesthesia), (...)
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  • External world scepticism and self scepticism.Joshua Rowan Thorpe - 2023 - Philosophical Studies 180 (2):591-607.
    A general trend in recent philosophical and empirical work aims to undermine various traditional claims regarding the distinctive nature of self-knowledge. So far, however, this work has not seriously threatened the Cartesian claim that (at least some) self-knowledge is immune to the sort of sceptical problem that seems to afflict our knowledge of the external world. In this paper I carry this trend further by arguing that the Cartesian claim is false. This is done by showing that a familiar sceptical (...)
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  • Re-reading Anscombe on ‘I’.Robert J. Stainton - 2019 - Canadian Journal of Philosophy 49 (1):70-93.
    According to a ‘Straight’ reading of Elizabeth Anscombe’s ‘The First Person’, she holds a radically non-referring view of ‘I’. Specifically, ‘I’ is analogous to the expletive ‘it’ in ‘It’s raining’. I argue that this is not her conclusion. Her substantive view, rather is that if what you mean by ‘reference’ is a certain rich and recherché notion tracing to Frege, then ‘I’ is not a referring term. Her methodological point is that one shouldn’t be ‘bewitched by language’ into thinking that (...)
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  • I am NN”: A Reconstruction of Anscombe's “The First Person.Adrian Haddock - 2019 - European Journal of Philosophy 27 (4):957-970.
    This paper develops a way of understanding G. E. M. Anscombe's essay “The First Person” at the heart of which are the following two ideas: first, that the point of her essay is to show that it is not possible for anyone to understand what they express with “I” as an Art des Gegebenseins—a way of thinking of an object that constitutes identifying knowledge of which object is being thought of; and second, that the argument through which her essay seeks (...)
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