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A Commentary on Livy, Books Xxxiv-Xxxvii

(ed.)
Oxford University Press UK (1981)

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  1. From Source to Sermo : Narrative Technique in Livy 34.54.4-8.Cynthia Damon - 1997 - American Journal of Philology 118 (2):251-266.
    In lieu of an abstract, here is a brief excerpt of the content:From Source to Sermo:Narrative Technique in Livy 34.54.4-8Cynthia DamonLivy's predilection for an indirect narrative style is well known. It is most clearly visible when he is adapting a passage from an author who uses a more direct style, Polybius, for example, who frequently pronounces judgment on the events he describes, praising or criticizing military strategies, assessing the importance of political decisions, and so on.1 Livy occasionally reproduces Polybian analyses (...)
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  • Los datos geográficos en la obra de Tito Livio, un estado de la cuestión.Agustín Moreno - 2012 - Circe de Clásicos y Modernos 16 (1):15-29.
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  • „La punizione dei vinti“: dibattiti e decreti senatori su Campani e Tarentini dopo la riconquista.Annarosa Gallo - 2018 - Klio 100 (3):785-824.
    Riassunto La punizione inflitta, nel 211 a. C., ai Campani, municipes sine suffragio, per la loro defezione ad Annibale, era stata assunta da una parte del senato a paradigma anche per i soci Tarentini, nel 208 a. C., rei allo stesso modo. Tale valutazione politica poggiava sull’assunto che la pena dovesse essere commisurata alla colpa, indipendentemente dal differente statuto giuridico dei defezionisti. Questa è espressione della linea rigorista perseguita contro i traditori, tra alti, da Q. Fulvius Flaccus, all’opposto di quella (...)
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  • Carpento certe: Conveying Gender in Roman Transportation.Jared Hudson - 2016 - Classical Antiquity 35 (2):215-246.
    This article analyzes the prominent role played by a particular vehicle, the matronly carriage, in the construction of Roman gender. Its focus is on the conveyance’s two most significant appearances in literary representation. First, I examine the various accounts of the vehicle’s best-known and most dramatic tableau, Tullia’s use of a carpentum to drive over her dead father king Servius Tullius’ body, arguing that the conveyance functions to articulate the cultural anxiety surrounding the passage from daughter to wife. I suggest (...)
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