The usual visual experiences possess a perspectival phenomenology as they seem to present objects from a certain perspective. Nevertheless, it is not obvious how to characterise experiential content determining such phenomenology. In particular, while there are many works investigating perspectival properties of experienced objects, a question regarding how subject is represented in visual perspectival experiences attracted less attention. In order to address this problem, I consider four popular phenomenal intuitions regarding perspectival experiences and argue that the major theories of perspectival (...) experiences do not account for all of them. Relying on these observations, I show how a theory which accommodates all these intuitions can be developed by (a) recognising that visual perspectival experiences are, in fact, multimodal visuo-bodily experiences and (b) distinguishing between egocentric and structural contents. (shrink)

Cognitive scientists have long known that the modalities interact during perceptual processing. Cross-modal illusions like the ventriloquism effect show that the course of processing in one modality can alter the course of processing in another. But how do the modalities interact in the specific domain of object perception? This paper distinguishes and analyzes two kinds of multisensory interaction in object perception. First, the modalities may bind features to a single object or event. Second, the modalities may cooperate when differentiating an (...) object or event from its surroundings. I critically evaluate evidence for various forms of multisensory binding. I then consider the case for multisensory differentiation. I argue that existing evidence for multisensory differentiation is inconclusive. I highlight ways that the issue might be empirically resolved. (shrink)

The dual role of olfaction in both smelling and tasting, i.e. flavour perception, makes it an important test case for philosophical theories of sensory individuation. Indeed, the psychologist Paul Rozin claimed that olfaction is a “dual sense”, leading some scientists and philosophers to propose that we have not one, but two senses of smell: orthonasal and retronasal olfaction. In this paper I consider how best to understand Rozin’s claim, and upon what grounds one might judge there to be one or (...) two distinct olfactory modalities. I conclude that while Rozin may be right that humans have dual occurrences of an olfactory ‘sense’, the concept of a sense-modality, and hence the ‘sense’ of smell, is ambiguous between two different notions: a physiological sensory channel and an experiential modality, along the lines suggested by J. J. Gibson. Furthermore, recognising that these are complementary rather than competing conceptions of a sense-modality enables the formulation of a powerful ‘dual-concept’ framework for posing and addressing questions concerning the complex architecture of human multisensory experience. (shrink)

Is the flavor of mint reducible to the minty smell, the taste, and the menthol-like coolness on the roof of one’s mouth, or does it include something over and above these—something not properly associated with any one of the contributing senses? More generally, are there features of perceptual experiences—so-called novel features—that are not associated with any of our senses taken singly? This question has received a lot of attention of late. Yet surprisingly little attention has been paid to the question (...) of what it means to say that a feature is associated with a sensory modality in the first place. Indeed, there is only one fully developed proposal in the literature, due to Casey O’Callaghan. I argue that this proposal is too permissive to inform the debate over novel features. I go on to argue that all attempts to formulate a better proposal along these lines fail. The corollary of my arguments is that the question of the existence of novel features is poorly formed. Furthermore, the problem generalizes, with the result that we should not rely on our pre-theoretical notions of the senses as the basis of theorizing about the features of perceptual experiences. (shrink)

While it is commonly observed that visual experiences have an egocentric character, it is less clear how to properly characterize it. This manuscript presents a new argument in favor of a thesis that (a) visual experiences represent a subject-element, i.e., an element to which the perceived objects stand in egocentric relations, and (b) the subject-element is represented as a complex bodily structure. More specifically, it is argued that there are two plausible interpretations of directional perceptual qualities such as ‘being to (...) the left’: (a) representing directional qualities consists in representing objects as having intrinsic properties, or (b) representing directional qualities consists in representing objects as related to parts of the bodily structure. Relying on this observation, it is shown that only the second option can explain the role of directional qualities in action selection based on visual experiences. Consequently, the most plausible interpretation of directional qualities is that, in representing objects as being to the left or right, visual experiences represent objects as being related to parts of the bodily structure. (shrink)

In consideration of the spatial structures of sensory experiences, an ‘Externality Thesis’ is commonly proposed, according to which awareness of sensory boundaries is also an awareness of the presence of a space beyond these boundaries. The paper evaluates the Externality Thesis in the context of vision and touch. More specifically, relying on mereotopological theories, it is shown that the notion of spatial boundaries is ambiguous as it encompasses various distinct ways in which entities may be connected by a boundary. It (...) is argued that only some of these ways are able to support the Externality Thesis. In particular, it is claimed that while bodily boundaries of which one is aware in tactile sensations are such that the awareness of them provides support for the Externality Thesis, the analogous claim is not true about the boundaries of the visual field. (shrink)

According to a common view, olfactory experiences lack well-developed spatial content. Nevertheless, there is also an important opposition to such a restricted perspective on olfactory spatiality, which claims that a view ascribing only rudimentary spatial content to olfaction arises from a narrow focus on short and passive olfactory experiences. In particular, it is claimed that due to the active and diachronic aspects of olfaction, olfactory experiences represent ‘smellscapes,’ i.e., spatially organized arrangements of odor plumes. This paper considers the thesis that (...) olfaction represents smellscapes by distinguishing weaker and stronger understandings of smellscapes. Weak smellscapes are odors standing in allocentric spatial relations, while strong smellscapes, in addition, are odors located at places having specific sizes and shapes. It is argued that only weak smellscapes are plausibly represented by human olfaction. (shrink)

In this paper, I will argue that certain figurative paintings – namely, paintings that depict atmospheres, such as Camille Pissarro’s Snowscape in Louveciennes (1872), can elicit multisensory experiences in their viewers. Viewing such pictures under appropriate circumstances will activate the viewers’ sensory imagination in such a way that they enjoy a genuine multisensory experience. Such an experience does not just involve different sensible qualities. Rather, the different sensible qualities are fused together into a new sensible quality that cannot be experienced (...) through a single sense modality or through the mere co-consciousness of multiple sense modalities. (shrink)

Some philosophers have argued that we do not hear sounds as located in the environment. Others have objected that this straightforwardly contradicts the phenomenology of auditory experience. And from this they draw metaphysical conclusions about the nature of sounds—that they are events or properties of vibrating surfaces rather than waves or sensations. I argue that there is a minimal, but recognizable, notion of audition to which this phenomenal objection does not apply. While this notion doesn’t correspond to our ordinary notion (...) of auditory experience, it does—in conjunction with our lack of an uncontroversial individuation of the senses and recent interest in distinctively multisensory features of perceptual experiences—raise the possibility of more expansive notions of audition, including some that do plausibly count as corresponding to our everyday notion of audition, that lack the spatial phenomenology cited in the objection. Until this possibility is ruled out, the phenomenal objection and metaphysical conclusions drawn from it remain inconclusive. (shrink)

Perceptual experience is self‐locating. This claim aligns with our intuitions and is the dominant view in philosophy. To defend the claim, some philosophers have advanced perspectival accounts and others have advanced agentive accounts. Here, I explore tensions between the two accounts and propose a novel, integrative account: the top‐down view, which defends that visual experience is self‐locating in virtue of cognitive maps that modulate visual processing in a top‐down fashion. I assess recent neuroscientific evidence of spatial modulation in the visual (...) cortex and show how it turns existing notions of self‐location upside‐down, shifting the focus from bottom‐up to top‐down processes. (shrink)