In a time in which an exuberant, trans-classical, non-trivial machine culture redesigns terminologies, remodels logics, produces new evidence, and reorganizes semantic resources, a new, neocybernetic regime of truth is taking shape. Many of our recent self-descriptions and theory formations are coined by our media-technological condition. Nowhere is this more apparent than in the work of Niklas Luhmann, especially in his inherent narrative of the history of rationality. This essay attempts to reconstruct Luhmann’s redescription of European rationality, especially the media- and (...) machine-historical conditions that remain apparent in Luhmann’s account. The decisive issue is that Luhmann’s history of rationality reveals the technological unconscious of systems theory and indeed the epochal imaginary it belongs to. With the help of the theories of machines developed by von Foerster, Simondon and Günther, Luhmann’s oeuvre must be read as probably the most striking conceptual edifice to emerge from what could be called the 20th-century’s epochal technological shift of meaning. (shrink)

Heinz Von Forester characterizes the objects “known” by an autopoietic system as eigen-solutions, that is, as discrete, separable, stable and composable states of the interaction of the system with its environment. Previous articles have presented the FBST, Full Bayesian Significance Test, as a mathematical formalism specifically designed to access the support for sharp statistical hypotheses, and have shown that these hypotheses correspond, from a constructivist perspective, to systemic eigen-solutions in the practice of science. In this article several issues related to (...) the role played by language in the emergence of eigen-solutions are analyzed. The last sections also explore possible connections with the semiotic theory of Charles Sanders Peirce. (shrink)

This paper attempts to establish a systems-semiotic framework explaining creativity in the design process, where the design process is considered to have as its basis the cognitive process. The design process is considered as the interaction between two or more cognitive systems resulting in a purposeful and ongoing transformation of their already complex representational structures and the production of newer ones, in order to fulfill an ill-defined goal. Creativity is considered as the result of an emergence of organizational complexity in (...) each cognitive system participating in the design process, while it is trying to purposefully incorporate new constraints in its meaning structures. The meanings generated in each system are identified as the contingent and anticipatory content of its representations, and where self-organization is the dominant process in which they are continuously involved. Furthermore, Peircean semiotic processes appear to provide the functionality needed by the emergent representational structures in order to complete the cycle of a creative design process. Creativity originates in the abductive stage of the semiotic process, the fallible nature of which is maintained in the proposed framework by the fact that the respective emergent representations can be misfits. The nodal points of the framework are identified and analyzed showing that a cognitive system needs the whole interactive anticipatory cycle in order to engage in a creative design process. (shrink)