In this paper, I discuss the similarity between Wittgenstein’s use of thought experiments and Relativity Theory. I begin with introducing Wittgenstein’s idea of “thought experiments” and a tentative classification of different kinds of thought experiments in Wittgenstein’s work. Then, after presenting a short recap of some remarks on the analogy between Wittgenstein’s point of view and Einstein’s, I suggest three analogies between the status of Wittgenstein’s mental experiments and Relativity theory: the topics of time dilation, the search for invariants, and (...) the role of measuring tools in Special Relativity. This last point will help to better define Wittgenstein’s idea of description as the core of his philosophical enterprise. (shrink)

The imaginary scenarios that appear in nearly every work of the later Wittgenstein – ones involving laughing cattle, disembodied eyes that see, and the like – are decidedly absent from the Tractatus. What necessitated this change in methodology? A comparison of the Tractatus with the Philosophical Remarks, Wittgenstein's first major work after his return to philosophy, reveals that these devices are the product of something old and something new. The rationale for these devices is already present in the notion of (...) a “propositional variable,” but Wittgenstein had little use for them until he rejected the phenomenological language and laconic style of the Tractatus. (shrink)

It is necessary to reconsider P. M. S. Hacker’s assessment of Kant and Wittgenstein’s philosophical affinities and the question concerning Wittgenstein’s alleged use of “transcendental arguments”. First, Alfred Norman’s reading of the Tractatus Logico-Philosophicus as a thought experiment receives revision to develop a view of the Critique of Pure Reason as a large-scale thought experiment that shares important logical features with the Tractatus. Then the question is addressed whether the middle Wittgenstein and the pre-critical Kant employed any thought experiments that (...) could be equally characterised as “transcendental arguments”. A rational reconstruction of both thinkers’ arguments is carried out in the light of the contemporary literature on thought experimenting. The novelty and relevance of this approach is the emphasis laid upon a largely neglected affinity between Kant and Wittgenstein, namely the systematic use of thought experiments in their epistemological pursuits. The conclusions are: i) Wittgenstein’s and Kant’s magna opera can be seen as philosophical thought experiments that attempt to try out the limits of language and the limits of possible experience respectively; ii) Both philosophers developed arguments that can be designated as transcendental if only from a methodological standpoint; and iii) some key arguments put forward by the middle Wittgenstein in the determination of the structure of visual space could be characterised better as thought experiments than transcendental arguments. (shrink)

This article grows out of the conviction that (some) films can philosophise. It looks to juxtapose the film Dogtooth and Wittgenstein's builders' example, such that they are seen as philosophising in similar ways over similar issues. Both strike me as probing the possibility—or denial—of a future with language. Using Stanley Cavell and Rush Rhees' responses to Wittgenstein's builders, I register the significance and meaning of themes from the film and Wittgenstein's work in a mutually enlightening way: language, games and breaking (...) free. This results in two different pictures of our hope of a future in and with language. (shrink)

The imaginary scenarios that appear in nearly every work of the later Wittgenstein – ones involving laughing cattle, disembodied eyes that see, and the like – are decidedly absent from the Tractatus. What necessitated this change in methodology? A comparison of the Tractatus with the Philosophical Remarks, Wittgenstein's first major work after his return to philosophy, reveals that these devices are the product of something old and something new. The rationale for these devices is already present in the notion of (...) a “propositional variable,” but Wittgenstein had little use for them until he rejected the phenomenological language and laconic style of the Tractatus. (shrink)

In questo articolo parlo della influenza di Einstein su Wittgenstein a partire da alcuni problemi che si pongono all’olismo. L’olismo è stato spesso collegato a Wittgenstein, almeno in forma di “olismo locale”. L’olismo è però soggetto a due tipi di paradossi: il paradosso della comunicazione per l’olismo semantico e il paradosso del relativismo concettuale per l’olismo epistemologico. Dopo aver presentato brevemente i due paradossi, confronto le risposte di Davidson, in difesa dell’olismo, con quelle di Wittgenstein (o di tipo wittgensteiniano). Da (...) questo confronto nasce un problema nell’interpretazione di Wittgenstein. Infatti, dalle sue risposte ai due paradossi emerge una tensione nella sua visione dei giochi linguistici e in particolare nei suoi esperimenti mentali, che sono stati tradizionalmente interpretati in modi contrapposti. La mia proposta è che una rilettura di alcune riflessioni di Wittgenstein su Einstein e la relatività può aiutare a cogliere meglio il significato di questa tensione. (shrink)