Abstract. The purpose of this essay is to introduce a collection of five papers, originally presented at the 2009 summer conference of the International Society for Science and Religion, which explore the reception of Darwin's science in different religious traditions. Comparisons are drawn between Jewish, Christian, Islamic, and Indian responses to biological evolution, with particular reference to the problem of suffering and to the exegetical and hermeneutic issues involved.

Abstract. Augustine, and following him some major theologians of the early Christian church, noted the apparent discrepancies between the first two chapters of Genesis and suggested an interpretation for these chapters significantly different from the literal. After examining a selection of the relevant texts, we shall follow the later fortunes of this interpretation in brief outline, figuring in particular an unlikely trio: Suarez, St. George Mivart, and Thomas Henry Huxley. Moral: Darwinian theory might plausibly be construed as implementing, unawares, a (...) suggestion from that other Christian tradition. (shrink)

This body of work is motivated by an apparent contradiction between, on the one hand, Darwin’s testimony in his autobiographical text about a supposed perceptual colour blindness before the aesthetic magnificence of natural landscapes, and, on the other hand, the last paragraph of On the Origin of Species, where he claims to perceive the forms of nature as beautiful and wonderful. My aim is to delve into the essence of the Darwinian perception of beauty in the context of the Weberian (...) concept of “disenchantment of the world”, assumed as a possible conceptual axis that enables the unravelling of the core of this contrast of perceptions. In acknowledging the theory of evolution as one of the most prominent scientific theories likely to have contributed to disenchantment, a number of questions arise: Is disenchantment compatible with aesthetic experience and sensibility before natural beauty? Was it Darwin’s disenchanted conception of the world that led him to believe he was colour blind? To answer these questions, a computer-assisted semantic analysis of lexical frequency and variability, most especially focused on aesthetic-emotional and religious or spiritual adverbs and adjectives, has been undertaken across the six editions of The Origin. The semantic analysis demonstrates that, although disenchanted, Darwin’s descriptions of, mainly, the adaptational excellence of living beings, reflect an aesthetically enriched perception of nature. It is concluded that Darwin’s perceptual colour blindness, then, might be based on a confusion rooted in the equation of equality between aesthetic sensibility in nature and the perception of its beauty as part of the vestigia Dei. (shrink)

By formulating in 1875 his major theoretical achievement, the “principle of succession of functions”, Dohrn was consciously entering the controversy between Darwin and Mivart. Dohrn’s principle enjoyed the approval of Darwin, but not his enthusiasm. The paper examines the evolution of Darwin’s original idea of ‘conversion of functions’ in the 6th edition of his Origin, following Mivart’s criticism, and contrasts the overtly functionalist interpretation entailed in Dohrn’s formulation with Darwin’s increasing structuralist hesitations as to the origin of evolutionary novelty. A (...) more accurate analysis of Dohrn’s principle, however, appears to corroborate the thesis that Dohrn was equally receptive to Darwin’s argument as to Mivart’s criticism. (shrink)