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  1. Music Communicates Affects, Not Basic Emotions – A Constructionist Account of Attribution of Emotional Meanings to Music.Julian Cespedes-Guevara & Tuomas Eerola - 2018 - Frontiers in Psychology 9.
    Basic Emotion theory has had a tremendous influence on the affective sciences, including music psychology, where most researchers have assumed that music expressivity is constrained to a limited set of basic emotions. Several scholars suggested that these constrains to musical expressivity are explained by the existence of a shared acoustic code to the expression of emotions in music and speech prosody. In this article we advocate for a shift from this focus on basic emotions to a constructionist account. This approach (...)
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  • Interference between face and non-face domains of perceptual expertise: a replication and extension.Kim M. Curby & Isabel Gauthier - 2014 - Frontiers in Psychology 5.
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  • Seeing through disguise: Getting to know you with a deep convolutional neural network.Eilidh Noyes, Connor J. Parde, Y. Ivette Colón, Matthew Q. Hill, Carlos D. Castillo, Rob Jenkins & Alice J. O'Toole - 2021 - Cognition 211 (C):104611.
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  • An epistemic argument for liberalism about perceptual content.Preston Werner - 2018 - Philosophical Psychology 32 (1):143-159.
    This paper concerns the question of which properties figure in the contents of perceptual experience. According to conservatives, only low-level properties figure in the contents of perceptual experience. Liberals, on the other hand, claim that high-level properties, such as natural kind properties, artifacts, and even moral properties, can figure in the contents of perceptual experience. I defend a novel argument in favor of liberalism, the Epistemic Argument, which hinges on two crucial claims. The first is that many perceptual experiences of (...)
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  • The processing of facial identity and expression is interactive, but dependent on task and experience.Alla Yankouskaya, Glyn W. Humphreys & Pia Rotshtein - 2014 - Frontiers in Human Neuroscience 8.
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  • Categorical effects in the perception of faces.James M. Beale & Frank C. Keil - 1995 - Cognition 57 (3):217-239.
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  • Shades of emotion: What the addition of sunglasses or masks to faces reveals about the development of facial expression processing.Debi Roberson, Mariko Kikutani, Paula Döge, Lydia Whitaker & Asifa Majid - 2012 - Cognition 125 (2):195-206.
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  • To the Trained Eye: Perceptual Expertise Alters Visual Processing.Kim M. Curby & Isabel Gauthier - 2010 - Topics in Cognitive Science 2 (2):189-201.
    Perceptual expertise refers to learning that is specific to a domain, that transfers to new items within the trained domain, and that leads to automatic processing in the sense that expertise effects can be measured across a variety of tasks. It can be argued that most of us possess some degree of perceptual expertise in a least one, if not several domains, thereby giving the study of perceptual expertise broad application. Some object categories may in fact be objects of perceptual (...)
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  • Perceiving and Recognising Faces.Vicki Bruce - 1990 - Mind and Language 5 (4):342-364.
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