The paper analyses Schelling and Schopenhauer’s conflicting views on intuition within the context of German classical philosophy and provides an interpretation of their differences. Moreover, the paper intends to fill a gap in the literature, by explaining how Schopenhauer grounded intuition in aesthetics and ethics on feelings and mysticism. After the Introduction, Section 2 summarizes Kant’s epistemology and its role in the subsequent discussions on intuition, and Sections 3 and 4 focus on Schelling’s intellectual intuition and Schopenhauer’s account of different (...) kinds of intuition. Sections 5 and 6 analyse how Schopenhauer argued that feelings and mysticism explain metaphysical insights in aesthetics and ethics. Section 7 sums up the main contributions of this paper through a comparative overview of Schelling and Schopenhauer’s respective accounts of intuition. (shrink)

If a problem is the collision between a system and a fact, Spinozism and German idealism’s greatest problem is the corpse. Life’s end is problematic for the denial of death’s qualitative difference from life and the affirmation of nature’s infinite purposiveness. In particular, German idealism exemplifies immortalism – the view that life is the unconditioned condition of all experience, including death. If idealism cannot explain the corpse, death is not grounded on life, which invites mortalism – the view that death (...) is the unconditioned condition of experience. In “Philosophical Letters,” Schelling critiques idealism, arguing that death symbolizes the regulative ideal of a philosophical system’s derivation, our striving for which unifies our rational activity. I interpret Schelling’s critique as explaining how death puts philosophy into question, an idea he develops in the Freedom essay and Berlin lectures. Death is not a problem to be solved by a system, but represents philosophy’s highest yet unrealizable end. (shrink)