Farming computer games enable the ‘desk chair countryside’—millions of people actively engaged in performing farming and rural activities on-line—to co-produce their desired representations of rural life, in line with the parameters set by game creators. In this paper, I critique the narratives and images of farming life expressed in the popular computer game ‘Stardew Valley’. Stardew is based on a scenario whereby players leave a [meaningless] urban desk job to revitalize the family farm. Player are given a choice to invest (...) in the Community Center or to support ‘JojaMart’, a ‘big-box’ development. The farming narrative demonstrates the hallmarks of classical American agrarianism: farming as the basic profession on which other occupations depend, the virtue of hard work, the ‘natural’ and moral nature of agricultural life, and the economic independence of the farmer. More recent discourses of critical agrarianism are noticeably absent, particularly in relation to environmental protection. Conflict is centred on urban-based big business, whereas the farm is represented as a ‘bolt-hole’ or sanctuary from urban life. I argue that embedding issues of big-box development in gameplay enrols players in active reflection and debate on desirable responses, whereas the emphasis on reproducing classical agrarian tropes risks desensitizing game players to contemporary agrarian social and environmental justice issues. However, Stardew Valley gameplay implicitly reinforces the ideal that low input farming is the way that agriculture should be practiced. The success of the game in eliciting on-line debates, and the requirement for active performance and decision-making, demonstrates the specific potential of computer games as mediums for influencing and intervening in ongoing reworking of farming imaginaries, and enabling more critically engagement of the ‘desk chair countryside’ in important global debates. (shrink)

This article explores the ways in which naturism articulates a set of relationships between the body and nature. We begin by sketching the histories of some Western naturist movements, tracing their lineage back to 19th-century life reform movements and through into inter-war reorientations of citizenship and morality. We consider the problematic of the naked body's relationship to the erotic (and specifically to the erotics of nature), drawing on some materials on outdoor sex; set alongside this is a discussion of the (...) regenerative use of wilderness in the mythopoetic men's movement. These strands are finally drawn together in order to consider the complex negotiation of discourses of nature, human nature, the natural body and the natural landscape - a negotiation embodied in naturism. (shrink)

This paper considers the real and imagined geographies of livestock animals. In doing so, it reconsiders the spatial relationship between people and domesticated farm animals. Some consideration is given to the origins of domestication and comparisons are drawn between the natural and domesticated geographies of animals. The paper mainly focuses on the contemporary geographies of livestock animals and, in particular, "rare breeds" of British livestock animals. Attention is given to the spatial relationship these animals have with people and the place (...) of these animals in the British countryside today. The paper concludes by highlighting why it is important to consider livestock animal breeds as part of on-going research into the geographies of domestic livestock animals. (shrink)

This article looks at the discursive and practical construction of walking in a British context. It examines the ways in which notions and practices generated by conventions around the meaning of walking in the countryside apparently contradict prevailing ideas that walking is an escape from the restrictions of everyday urban life. Identifying particular, competing forms of walking and the techniques and identities that they espouse, it is suggested that such activities are suffused with disciplinary norms. Yet despite these conventions, walking (...) holds out the possibility of disruption, through confrontation with physical discomfort, unpredictable features and sensual experience that contrasts with much contemporary forms of movement. The work of artist Richard Long is used to explore these issues. (shrink)

The Canadian province of Alberta has experienced phenomenal growth in its oil and gas industry. As the petroleum-industrial complex expands it has sparked a number of community-based conflicts over noxious facilities that are seen by some to be the cause of a number of health problems. The research reported here used two case studies to examine siting conflicts involving natural gas extraction facilities in rural Alberta. We found that the stories shared by citizens involved in these conflicts functioned as 'moral (...) tales'. These moral tales were political in the way they challenged implicit and institutionalized rationales for redistributing benefits and burdens of oil and gas development. They also created a space for collective action by articulating spatial transgressions and by constructing a type of moral citizenship. (shrink)

There are certain ethical norms that seem to be influencing our choices, both in landscape evaluations and in other sections of society. The paper will give a brief discussion of different ethical theories and give examples of how these theories are found in practical solutions in dealing with landscape in planning and conservation. Ethics are fundamental parts of what we call culture, and refer first and foremost to human action in what a given society takes to be good and evil (...) in normal circumstances. It also refers to the adequacy of ascription of value. There is no theoretical truth in ethical norms, only agreed principles of how "it ought to be". As foundations for our decisions, there are different basic principles referring to the relations between humans and nature. (shrink)