This thesis poses the question ‘What is the critique of democracy in Plato’s Republic?’ It is not the first to do so. But contrary to standard readings, this thesis does not assume neither epistemological nor elitist explanations. Rather, it sees the Kallipolis, ‘the beautiful city in words’ as predicated on a particular anthropology. This theory of human nature, which claims that it is human to be greedy for wealth, sex, and power is contributed by Glaucon, Socrates’ main interlocutor in the (...) dialogue. Noting this, the argument of this thesis makes the following interpretational claims about the Republic: First, I claim that the Kallipolis should be read as an answer to the following question: What would a just city look like given the anthropology of Glaucon? The second claim informing this thesis is the following: Reading the Republic itself as challenging this anthropology, the function of the anthropology it provides is not so much a positive theory of human nature as it is revealing of what Glaucon, in most regards a paradigmatic Athenian citizen, thinks is human nature. His ideas and character are thus central to my reading of the Republic. What has this got to do with democracy? Glaucon’s beliefs, ideas, and his character can not be understood without reference to the society which has produced him, that is, the democratic polis of Ancient Athens. This premise is inserted by the city-soul analogy, a central tenet of the argument of the Republic. As this thesis argues, the tripartite soul provides an explanatory model which accounts for why and how the human soul is moldable and plastic. Furthermore, the thesis contributes to the issue of akrasia, by that it based on this interpretation becomes possible to say that cases of akrasia, – breakdowns of rationality – differ in its causes like the souls of humans differ in their internal constitutions: Humans, the Republic postulates, simply attribute different weight to different reasons, depending on what part of our soul rules, and hence, what the soul has set as its ‘good’. Building on this account of individual decision-making, this thesis offers a twofold analysis of how the interaction between regime and man is portrayed in the Republic, first with regard to the social institutions, secondly with regard to the political institutions. This analysis is based on the premise that the Kallipolis represents an implicit critique against democratic Athens, but rather than being an ideal to offset democratic shortcomings, I argue that the Kallipolis is the realization of democratic desires combined with a need for justice. If, and only if, Glaucon’s is the true anthropology of man, is Kallipolis the most just state. But, as this thesis will show, Glaucon’s anthropology is not universalizable, but is rather an expression of the particularly democratic anthropology. Ultimately, Socrates will show that if allowed to evolve unchecked, the natural culmination of the democracy is tyranny. In order to make this argument, the Republic mobilizes tropes related to tyranny which already abound within democratic and dissenting discourse, in order to posit the democratic value of ‘freedom’ as closely related to the tyrannical lust for power. Following this interpretation, the answer to the initial question is that the Republic criticizes democracy’s institutional practices, poetic tradition, and theoretical ideals showing how democracy instills in its citizens the kind of desires and values that will make them susceptible to the tyrannical coups which the Athenians of the fifth century seemed more than eager to avoid. In my reading of the Republic, the main threat was not outside forces, but their own desires and internal constitutions. Only through developing self-knowledge in the philosophical sense can the Athenian, represented by Glaucon, truly learn to guard himself against tyranny from within. (shrink)

Simplicius reports that Xenocrates and Andronicus reproached Aristotle for positing an excessive number of categories, which can conveniently be reduced to two: τὰ καθ᾽αὑτά and τὰ πρός τι. Simplicius, followed by several modern commentators, interprets this move as being equivalent to a division into substance and accidents. I aim to show that, as far as Xenocrates is concerned, this interpretation is untenable and that the substance-accidents contrast cannot be equivalent to Xenocrates’ per se-relative one. Rather, Xenocrates aimed to stress the (...) primacy of Plato’s binary distinction of beings, as presented at Sophist 255c13–4, over Aristotle’s list of the categories. (shrink)

This paper uses a problematic passage at Phaedo 69a–c as a case study to explore the advantages we can gain by reading Plato in his cultural context. Socrates argues that the common conception of courage is strange: people fear death, but endure it because they are afraid of greater evils. They are thus brave through fear. He proposes that we should not exchange greater pleasures, pains, and fears for lesser, like coins, but that there is the only correct coin, for (...) which we must exchange all these things: wisdom (phronēsis). Commentators have been puzzled by the precise nature of the exchange envisaged here, sometimes labelling the coinage metaphor as inept, sometimes describing this stretch of argument as “religious” and thus not to be taken seriously. The body of the paper looks at (1) the connection between money and somatic materialism, (2) the incommensurability in Plato of financial and ethical orders, (3) financial metaphors outside Plato that connect coinage with ethics, (4) intrinsic and use values in ancient coinage, and (5) Athenian laws on coinage, weights, and measures that reflect anxiety about debased coins in the fifth and early fourth centuries. It sees the Phaedo passage as the product of a sociopolitical climate which facilitated the consideration of coinage as an embodiment of a value system and which connected counterfeit or debased currency with debased ethical types. Athenians in the early fourth century were much concerned with issues of commensurability between different currencies and with problems of debasement and counterfeiting; understanding this makes Socrates’ use of coinage metaphors less puzzling. Both the metaphor of coinage and the other metaphors in this passage of the Phaedo (painting and initiation) engage with ideas of purity, genuineness, and deception. Taken as a group, these metaphors cover a large area of contemporary popular culture and are used to illustrate a disjunction between popular and philosophical ways of looking at value. (shrink)