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  1. Tιμιώτερα Books, Talking Objects, Honour and Shame in the Phaedrus.Cristiana Caserta - 2015 - Peitho 6 (1):113-146.
    In the Phaedrus, the expression τὰ γεγραμμένα φαῦλα ἀποδεῖξαι, „to demonstrate the inadequacy of its own written” could mean „to make a palinody.” The requirements to define someone as a philosopher that Socrates provides describe in theoretical and normative form what the dialogue has already represented in its dramatic form. Plato has targeted the speech of Lysias and the first speech of Socrates as belonging to a literary genre that is still in statu nascendi: a sophistic conference in which the (...)
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  • Recitationes in the Roman Culture.Paulo Sérgio Margarido Ferreira - 2016 - Humanitas 68:151-179.
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  • Alexander of Aphrodisias, De Intellectu 110.4: 'I Heard this from Aristotle'. A modest proposal.Jan Opsomer & Bob Sharples - 2000 - Classical Quarterly 50 (01):252-.
    The treatise De intellectu attributed to Alexander of Aphrodisias can be divided into four sections. The first is an interpretation of the Aristotelian theory of intellect, and especially of the active intellect referred to in Aristotle, De anima 3.5, which differs from the interpretation in Alexander's own De anima, and whose relation to Alexander's De anima, attribution to Alexander, and date are all disputed. The second is an account of the intellect which is broadly similar to A though differing on (...)
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  • Virtue and inquiry, knowledge and ignorance: Lessons from the Theaetetus.Jennifer F. Ingle - unknown
    Plato's dialogues are set in fifth century Athens but they are performed for a fourth century audience. The context of his dialogues, then is wider perhaps than other philosophers and because of the difference in periods, it is clear that it is necessary for an audience member to possess knowledge of the events of the previous generation, viz., the fifth century BCE. When its cultural context is taken into account, the Theaetetus can not be read as an attempt by Plato (...)
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