According to the plurivaluationist, our vague discourse doesn’t have a single meaning. Instead, it has many meanings, each of which is precise—and it is this plurality of meanings that is the source of vagueness. I believe plurivaluationist positions are underdeveloped and for this reason unpopular. This paper attempts to correct this situation by offering a particular development of plurivaluationism that I call supersententialism. The supersententialist leverages lessons from another area of research—the Problem of the Many—in service of the plurivaluationist position. (...) The Problem reveals theoretical reasons to accept that there are many cats where we thought there was one; the supersententialist claims that we are in a similar situation with respect to languages, propositions and sentences. I argue that the parallel suggested by the supersententialist reveals unappreciated advantages and lines of defense for plurivaluationism. (shrink)

What sort of logic do we get if we adopt a supervaluational semantics for vagueness? As it turns out, the answer depends crucially on how the standard notion of validity as truth preservation is recasted. There are several ways of doing that within a supervaluational framework, the main alternative being between “global” construals (e.g., an argument is valid iff it preserves truth-under-all-precisifications) and “local” construals (an argument is valid iff, under all precisifications, it preserves truth). The former alternative is by (...) far more popular, but I argue in favor of the latter, for (i) it does not suffer from a number of serious objections, and (ii) it makes it possible to restore global validity as a defined notion. (shrink)

Philosophy and Literature is an internationally renowned refereed journal founded by Denis Dutton at the University of Canterbury, Christchurch. It is now published by the Johns Hopkins University Press. Since its inception in 1976, Philosophy and Literature has been concerned with the relation between literary and philosophical studies, publishing articles on the philosophical interpretation of literature as well as the literary treatment of philosophy. Philosophy and Literature has sometimes been regarded as iconoclastic, in the sense that it repudiates academic pretensions, (...) insidious jargon and institutional vogue. Dutton, who remains the editor, still writes a regular column. A distinctive feature of Philosophy and Literature was the annual Bad Writing Contest, held from 1995–98, which sought to identify (and publish) the ‘most stylistically lamentable passages’ of academic prose, often to great amusement. (shrink)