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  1. Cognitive and emotional processes during dreaming: A neuroimaging view.Martin Desseilles, Thien Thanh Dang-Vu, Virginie Sterpenich & Sophie Schwartz - 2011 - Consciousness and Cognition 20 (4):998-1008.
    Dream is a state of consciousness characterized by internally-generated sensory, cognitive and emotional experiences occurring during sleep. Dream reports tend to be particularly abundant, with complex, emotional, and perceptually vivid experiences after awakenings from rapid eye movement sleep. This is why our current knowledge of the cerebral correlates of dreaming, mainly derives from studies of REM sleep. Neuroimaging results show that REM sleep is characterized by a specific pattern of regional brain activity. We demonstrate that this heterogeneous distribution of brain (...)
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  • Maurice Halbwachs on dreams and memory.John Sutton - 2024 - In Daniel Gregory & Kourken Michaelian (eds.), Dreaming and Memory: Philosophical Issues. Springer.
    In the first two chapters of his 1925 book Les cadres sociaux de la mémoire (The Social Frameworks of Memory), the French sociologist Maurice Halbwachs (1877-1945) develops a sustained comparison between remembering and dreaming. Engaging in detail with large bodies of contemporary research in psychology, physiology, philosophy, and linguistics, he aims to combat what he calls the ‘surprising’ tendency of ‘psychological treatises that deal with memory’ to treat each of us as ‘an isolated being’ (1925/ 1994, vi) 1. In the (...)
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  • Why did we think we dreamed in black and white?Eric Schwitzgebel - 2002 - Studies in History and Philosophy of Science Part A 33 (4):649-660.
    In the 1950s, dream researchers commonly thought that dreams were predominantly a black and white phenomenon, although both earlier and later treatments of dreaming assume or assert that dreams have color. The first half of the twentieth century saw the rise of black and white film media, and it is likely that the emergence of the view that dreams are black and white was connected to this change in film technology. If our opinions about basic features of our dreams can (...)
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  • Italy and the European fin de siècle : the century's turn in the printed media of the 1890s-1900s.Sara Boezio - 2019 - Dissertation, University of Warwick
    The thesis examines the self-definition of the end of the nineteenth century as ‘fin de siècle’ and as an epochal turning point. It investigates the circumstances that generated new time perceptions and representations in this timespan, with particular reference to late-nineteenth century Italy. The study provides an analysis of essays, treatises, literary works, conference presentations, speeches, and articles of the periodical press, which discussed and thematized the main features of the nineteenth century and of the early years of the twentieth (...)
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  • The stuff that dreams aren't made of: Why wake-state and dream-state sensory experiences differ.Donald Symons - 1993 - Cognition 47 (3):181-217.
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  • Digital dream analysis: A revised method.Kelly Bulkeley - 2014 - Consciousness and Cognition 29:159-170.
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