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  1. The lion and the frigate bird: visual encounters in Kiribati.B. Gilkes - unknown
    In order to explain some of the paradoxes and mysteries of the artist's cross cultural experience in Kiribati, he constructed an Artist's Book depicting through visuality, anecdote and reflection, his research process, engaging with current visual perceptions through negotiation with the past. In Kiribati previous encounters with Europeans and Islanders was dominated by English and I Kiribati with significant contributions by French missionaries. Each viewed the other through cultural filters of identity, which were informed by concepts of myth-historical, often heroic (...)
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  • Is analytic philosophy the cure for film theory?Ian Jarvie - 1999 - Philosophy of the Social Sciences 29 (3):416-440.
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  • Taking TV Series Seriously.Sandra Laugier - 2022 - Open Philosophy 5 (1):250-253.
    TV series are gaining increasing attention in current research. However, their aesthetic potential for visualizing ethical issues and both forming and facilitating collective inquiry into democratic values has not yet been fully appreciated. Because of their format (weekly/seasonal regularity, home viewing) and the participatory qualities of Internet usage (tweeting, chat forums), series allow for a new form of education by expressing complex issues through narrative and characters. This education is both political and moral. This topical issue elucidates the power, diversity, (...)
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  • How Empathy with Fictional Characters Differs from Empathy with Real Persons.Thomas Petraschka - 2021 - Journal of Aesthetics and Art Criticism 79 (2):227-232.
    In this article, I will discuss some differences between empathy with real persons and empathy with fictional characters. Philosophers who have thought about th.
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