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Nietzsche Contra Nietzsche: Creativity and the Anti-Romantic

Louisiana State University Press (1989)

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  1. How the Free Spirit Became Free: Sickness and Romanticism in Nietzsche's 1886 Prefaces.David Mitchell - 2013 - British Journal for the History of Philosophy 21 (5):946 - 966.
    This paper explores Nietzsche's account of the free spirit's genesis, as primarily given in the 1886 prefaces written for the works of his ?free spirit trilogy?. In particular, it will focus on how what will be argued is the free spirit's distinguishing capacity for radical questioning is created out of the process described there. That is, it will examine how what Nietzsche calls, ?the experience of sickness?, in enabling the free spirit's liberation, helps forge a mode of philosophical awareness which (...)
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  • Nietzsche: Comprensión estética de la realidad vital.Silvia Silveira Laguna - 1997 - Anales Del Seminario de Historia de la Filosofía 14:73.
    La personalidad de Cela como creador se encuentra ligada a una creatividad permanente, caracterizada por una superación, diversidad de perspectivas y estilos de escribir, unida a la generación del noventa y ocho, proyectándose en él un sentido de arte para conocer el mundo com parable al pensamiento alemán desde el dolor y vitalismo.
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  • The abyss, or the insufficiency of ethical nihilism for Nietzsche’s Übermensch.Jan Gresil Kahambing - 2020 - Ethics and Bioethics (in Central Europe) 10 (3-4):155-172.
    In this paper, I critique the prevalent notion that only in the abyss can one emerge to be the Übermensch, or to use Hollingdale’s term, the Superman. To support this, I will first expound on the notion of the abyss as ethical nihilism from the perspective of the death of God to Nietzsche’s critique of morality. I argue that ethical nihilism as an abyss is insufficient in constituting Nietzsche’s Superman. I will then set how the Superman emerges through counter-stages. The (...)
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