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Traditional interpretations of Aristotle’s theory of perception mainly focus on uncovering the underlying mechanisms that are at stake when perceivers are affected by sensible qualities. Investigating the nature of sense perception is one of Aristotle’s main worries and one that he explicitly relates to the question of its causes (e. g.Sens. 436a16–17, 436b9) and its ends (e. g.de An. 434a30 ff.). Therefore I suggest that, in order to fully explain Aristotle’s view of perceptual phenomena, the possibilities, the constraints, and the (...) |
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The aim of my article is to present the critique by Brentanians – more precisely, by Brentano himself and his students Stumpf and Marty – of the thesis that colours are properties that are relational to a perceiver. For Brentanians, colours are monadic physical properties. Brentanians, I will show, think that colours do not exhibit a relationality to perception when we experience them, and that the concepts of them do not contain any mark representing a relation to perception; this phenomenological (...) |
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Our modern scientific explanation of colour as a subjective impression has replaced a ‘pre-theoretical’ notion of colour as an intrinsic property of objects, which was mainstream in ancient thought. Why have we lost such pre-theoretical notion, and what have we lost by losing it? I argue that most ancient Greek philosophers exploited this pre-theoretical assumption – one that was obvious to them – in terms and ways that are still worthy of attention in the context of contemporary philosophy of colour. (...) |
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ABSTRACT The problem of “scotopic vision”, or vision under conditions of partial or total darkness, is one of the most enigmatic and least studied topics in Aristotelian psychology. In the article we present the exegesis of Averroes on this matter. We point out a dificulty that arises in the Great Commentary around some terms used to designate the obscurity in the whole of the theory. We propose as a solution a moderate interpretation of the matter, in accordance with the “principle (...) |
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In his Commentary on Ptolemy’s Harmonics, Porphyry debunks Ptolemy’s quantitative theory of pitches by demonstrating that pitches are qualitative attributes of sound. I argue that Porphyry’s main concern is to save the phenomenological dimension of sound while preserving the possibility of a quantitative analysis of music. I show how he draws on the Aristotelian tradition to develop a theory of pitches as emergent properties that covary with some underlying quantitative features without being reducible to them. Porphyry offers an original and (...) |
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