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The World at a Glance

In Professor Fred Evans, Fred Evans, Leonard Lawlor & Professor Leonard Lawlor (eds.), Chiasms: Merleau-Ponty's Notion of Flesh. SUNY Press. pp. 147-164 (2000)

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  1. Merleau-Ponty and the art of perception.Duane Davis (ed.) - 2016 - Albany: State University of New York Press.
    Philosophers and artists consider the relevance of Maurice Merleau-Ponty’s philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened (...)
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  • The bodily other and everyday experience of the lived urban world.Oren Bader & Aya Peri Bader - 2016 - Journal of Aesthetics and Phenomenology 3 (2):93-109.
    This article explores the relationship between the bodily presence of other humans in the lived urban world and the experience of everyday architecture. We suggest, from the perspectives of phenomenology and architecture, that being in the company of others changes the way the built environment appears to subjects, and that this enables us to perform simple daily tasks while still attending to the built environment. Our analysis shows that in mundane urban settings attending to the environment involves a unique attentional (...)
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  • Architecture and Voices of Silence.Patricia M. Locke - 2016 - In Duane Davis (ed.), Merleau-Ponty and the art of perception. Albany: State University of New York Press. pp. 147-163.
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  • (1 other version)Touring as Authentically Embodying Place and Glancing a New World.Glen A. Mazis - 2009 - Environment, Space, Place 1 (1):169-188.
    The critique of tourism as being only a distanced, detached, and consumerist passing through of foreign landscapes and cultures isdisputed in this essay. The idea that tourism necessarily fits the paradigm of inauthenticity as the tranquilized and alienated hopping from spot to spot in prepackaged, superficial presentations is contrasted with another sense of tourism as drawing upon the potential power of the glance to disrupt the everyday, to focus on the particular, to be surprised by the new, and to bodily (...)
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  • (1 other version)Touring as Authentically Embodying Place and a New World at a Glance.Glen A. Mazis - 2009 - Environment, Space, Place 1 (1):169-188.
    The critique of tourism as being only a distanced, detached, and consumerist passing through of foreign landscapes and cultures isdisputed in this essay. The idea that tourism necessarily fits the paradigm of inauthenticity as the tranquilized and alienated hopping from spot to spot in prepackaged, superficial presentations is contrasted with another sense of tourism as drawing upon the potential power of the glance to disrupt the everyday, to focus on the particular, to be surprised by the new, and to bodily (...)
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  • Sublimity & the Image: A Hermeneutic Phenomenological Exploration.Erika Goble - 2013 - Phenomenology and Practice 7 (1):82-110.
    For over 2000 years, the sublime has been a source of fascination for philosophers, artists, and even the general public at times. We have written hundreds of treatises on the subject, put forth innumerable definitions and explanations, and even tried to reproduce it in art and literature. But, despite our efforts, our understanding of the sublime remains elusive. In this paper, the sublime is explored as a potential human experience that can be evoked by an image. Drawing upon concrete experiences, (...)
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  • Reversibility and ereignis: On being as Kantian imagination in Merleau-ponty and Heidegger.David Morris - 2008 - Philosophy Today 52 (Supplement):135-143.
    This paper aims to clarify Merleau-Ponty’s difficult concept of “reversibility” by interpreting it as resuming the dialectical critique of the rationalist and empiricist tradition that informs Merleau-Ponty’s earlier work. The focus is on reversibility in “Eye and Mind,” as dismantling the traditional dualism of activity and passivity. This clarification also puts reversibility in continuity with the Phenomenology’s appropriation of Kant, letting us note an affiliation between Merleau-Ponty’s reversibility and Heidegger’s Ereignis: in each case being itself already performs the operation that (...)
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  • "Solar love": Nietzsche, Merleau-ponty and the fortunes of perception. [REVIEW]Fred Evans - 1998 - Continental Philosophy Review 31 (2):171-193.
    Both Nietzsche and Merleau-Ponty repudiate the mirror view of perception and embrace what Nietzsche refers to as solar love or creative perception. I argue that Merleau-Ponty thinks of this type of perception primarily in terms of convergence and Nietzsche in terms of divergence. I then show how, contrary to their own emphases, Merleau-Ponty's notion of flesh and Nietzsche's idea of chaos suggest that convergence and divergence are abstractions from an ontologically prior realm of hybrid perceptions. In this realm, each perception (...)
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  • The World At A Glance.Ingo Farin - 2008 - Journal of Phenomenological Psychology 39 (2):232-240.
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  • Streetography: on visual resistance.Hagi Kenaan - 2016 - Journal of Aesthetics and Phenomenology 3 (2):147-166.
    This article offers a philosophical account of a range of urban phenomena that are integral to the visual fabric of the modern city and, at the same time, external to the visual order administered by the city’s rulers. Explaining why the common terms of “graffiti” and “street art” are too narrow for discussing the plurality of the illicit visual forms that populate the city’s space, I coin the alternative term “streetography” and aim at a new understanding of its visual efficacy. (...)
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  • Vitality: Carnal, Seraphic Bodies.Brian Treanor - 2017 - Journal of French and Francophone Philosophy 25 (1):200-220.
    This paper reflects on experiences of what i call vitality. Such experiences are neither idiosyncratic nor mere romanticism. Moreover, while some figures in continental philosophy do address the body—as perceiving, as sexed, as political—there has been almost no attention given to the active body of vitality. Drawing from the work of Michel Serres, this paper will uncover some of the significant features of such bodily experiences.
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