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  1. Morality without Ethics.Zygmunt Bauman - 1994 - Theory, Culture and Society 11 (4):1-34.
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  • The Self-Presupposition of the Origin: Homage to Cornelius Castoriadis.Ciaramelli Fabio - 1997 - Thesis Eleven 49 (1):45-67.
    Thinking the origin in a radical way amounts to thinking the movement by which what does not proceed from something else - what does not have its origin elsewhere - comes to itself, has within itself precisely the ontological energy to detach itself from itself and to exist as origin. In its primordial sense, then, origin is self-origin: it is, becomes, and is known starting from itself. This self-presupposition of the origin constitutes the very advent of Being, its unmotivated and (...)
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  • Re-Imagining Castoriadis’s Psychic Monad.Karl E. Smith - 2005 - Thesis Eleven 83 (1):5-14.
    Castoriadis portrays the psyche in its originary state as a ‘psychic monad’ - an infantile psyche that experiences itself as omnipotent, omnipresent, undifferentiated and sufficient unto itself. According to Castoriadis, this totality is fragmented in a ‘triadic phase’ through the experience of desire, which brings to the fore the encounter with the Other. In contrast, Marcel Gauchet rejects the concept of the psychic monad, arguing that the unformed psyche enters the world with a primordial openness to being formed and transformed. (...)
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  • The Enduring Enigma: Physis and Nomos in Castoriadis.Suzi Adams - 2001 - Thesis Eleven 65 (1):93-107.
    The physis and nomos controversy first emerged in ancient Greek thought. This article explores Castoriadis' reactivation of the issues concerned; in particular, his radicalization of Aristotle's conception of physis and nomos. It suggests that nomos appears as multifaceted in his work. However, three key variations may be identified: empirical nomos, normative nomos and generic nomos. Empirical nomos signifies the human creation of laws. It challenges the notion, long held in western philosophy, that Being = being determined. Although all laws are (...)
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  • The sacred, social creativity and the state.Natalie Doyle - 2006 - Critical Horizons 7 (1):207-238.
    This paper explores the specific contribution of a strand of contemporary French social theory founded by Cornelius Castoriadis and Claude Lefort to the understanding of human power. It formulates a conception of power that transcends its definitions in terms of physical coercion or institutionalised violence to reveal the way power is creative and institutes the social. Its reflection on the cultural nature of political power and it role in society is shown to extend the pioneering reflection of Durkheim's sociology, especially (...)
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  • The Guise of Nothing: Castoriadis on Indeterminacy, and its Misrecognition in Heidegger and Sartre.Jeff Klooger - 2013 - Critical Horizons 14 (1):1-21.
    Castoriadis’s radical ontology of indeterminacy postulates a third term between the complete determinacy of the traditional conception of being and the absolute indeterminacy of the traditional conception of nothingness. Castoriadis himself made considerable efforts to demonstrate how ontological conceptions which equate being with determinacy fail to grasp the reality of being in all ontological regions and contexts. He did somewhat less in regard to the opposite pole of the ontological dichotomy, the identification of indeterminacy with nothingness, though he certainly recognized (...)
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  • The Ambiguity of the Modern Conception of Autonomy and the Paradox of Culture.Dominique Bouchet - 2007 - Thesis Eleven 88 (1):31-54.
    Grounded in newer French socio-political philosophy, this text deals with the paradoxical situation in which the interpretation of society as well as the relation between the individual and the social remains ambiguous even though autonomy and interrogation of the social emerges: Autonomy remains trapped between transcendence and immanence. Modernity is when society claims to know that it has to produce its own myths. Traditional societies did not relate to their myths as if they were their own products. Nevertheless, as soon (...)
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  • A Theory of Tragedy in Cornelius Castoriadis.María Cecilia Padilla - 2020 - Las Torres de Lucca. International Journal of Political Philosophy 9 (16):83-106.
    Towards the end of his philosophical and political theorizations, the Greek-born French philosopher and thinker Cornelius Castoriadis turned his attention to artistic representation, in particular to Greek, or to use a term he preferred, “Athenian” tragedy. The aim of this article is to analyze the role played by his interpretation of tragedy in his understanding of democracy as a tragic regime. In order to address this interrogation, the article will be divided in three parts. The first part is devoted to (...)
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  • Autonomy and modern liberal democracy: From Castoriadis to Gauchet.Natalie J. Doyle - 2012 - European Journal of Social Theory 15 (3):331-347.
    Marcel Gauchet’s recently published theory of democracy sheds light on the way his understanding of modernity emerged from Castoriadis’s notion of autonomy but also deepened it by contextualizing it within a discussion of modern historicity. Modern autonomy means re-shaping the world through a new, transformative, form of power that draws on humanity’s capacity for imaginary creation. Gauchet’s theory of modernity, however, rejects the possibility of radical historical creation. Faithful to the teachings of structuralism, it explores the structural conditions behind the (...)
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  • Further towards a Sociology of Evil.Karl E. Smith - 2004 - Thesis Eleven 79 (1):65-74.
    Alexander’s invitation to a sociology of evil begins from the premise that the social sciences have long neglected direct analyses of evil. They have focused instead on questions of the good and treated its other as an absence or residual category. His most direct foray into this field must be read against his strong program in cultural sociology and his more concrete analysis of the development of narratives of the Holocaust as a moral ‘trauma drama’. I argue that the analytic (...)
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  • Castoriadis and the Permanent Riddle of the World: Changing Configurations of Worldliness and World Alienation.Suzi Adams - 2007 - Thesis Eleven 90 (1):44-60.
    The problematic of world articulation is central to post-phenomenological approaches. With Castoriadis, it emerges as a significant if shadowy thematic. Its shifting contours in his thought are redolent of the ongoing dialogue between romantic and enlightenment currents. They are also indicative of the ambiguity inherent to cultural articulations of the world in modernity. Here, two world perspectives open up various — and conflicting — interpretative challenges to which a response is necessitated. In Castoriadis's case, these take on particular forms of (...)
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  • Islamism, Castoriadis and Autonomy.Chistopher Houston - 2004 - Thesis Eleven 76 (1):49-69.
    In the context of nationalizing, secularizing or Kemalist states, analyses of Islamist movements are often thrown back on notions of traditionalism or atavism. In a related vein, for certain social theorists writing on modernity, the uniqueness of the West is clarified through an imaginative [mis]interpretation of other cultures or civilizations. Too often, however, the apparent gains in Western self-insight reflect an ‘inability to constitute oneself without excluding the other’ (Cornelius Castoriadis). Ironically Castoriadis himself, in a project we might term an (...)
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  • Arnason and Castoriadis’ unfinished dialogue: Articulating the world.Suzi Adams - 2011 - European Journal of Social Theory 14 (1):71-88.
    The article reconstructs the unfinished dialogue between Arnason and Castoriadis, with a particular emphasis on the problematic of world articulation. Arnason’s thought is situated as reconfiguring classical sociological constellations, especially as they pertain to the revitalization of the civilizational problematic and the emphasis on the philosophical dimension of sociological investigation. His interpretative framework is located within the nascent field of post-transcendental phenomenology, which he elaborates via the overlapping problematics of cultural articulations of the world as an inter-cultural horizon, and the (...)
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