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  1. Philosophy and Memory Traces: Descartes to Connectionism.John Sutton - 1998 - New York: Cambridge University Press.
    Philosophy and Memory Traces defends two theories of autobiographical memory. One is a bewildering historical view of memories as dynamic patterns in fleeting animal spirits, nervous fluids which rummaged through the pores of brain and body. The other is new connectionism, in which memories are 'stored' only superpositionally, and reconstructed rather than reproduced. Both models, argues John Sutton, depart from static archival metaphors by employing distributed representation, which brings interference and confusion between memory traces. Both raise urgent issues about control (...)
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  • Fantasmagoría y despertar. Una aproximación al Libro de los pasajes de Walter Benjamin.Paloma Martínez Matías - 2021 - Logos. Anales Del Seminario de Metafísica [Universidad Complutense de Madrid, España] 54 (1):107-129.
    Este ensayo acomete un análisis del concepto de fantasmagoría en el marco de los materiales del proyecto inacabado del Libro de los pasajes de Walter Benjamin. Para ello, parte de la relación que en ellos se traza entre este término y el carácter fetichista que Marx atribuye a la mercancía, a fin de mostrar cómo dicho carácter, así como la noción de ideología que se segrega de él, constituyen el fundamento de la utilización por parte de Benjamin del concepto de (...)
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  • Marx as the Historical Materialist: Re-reading The Eighteenth Brumaire.Massimiliano Tomba - 2013 - Historical Materialism 21 (2):21-46.
    The purpose of this paper is to re-read Marx’sEighteenth Brumaireby highlighting the political meaning of a materialist historiography. In the first part, I consider Marx’s historiographical and political intention to represent the history of the aftermath of the revolution of ’48 as a farce in order to liquidate ‘any faith in the superstitious past’. In the second part I analyse the theatrical register chosen by Marx in order to represent the Second Empire as a society without a body, a phantasmagoria (...)
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