Between March and June 2008, a group of fifteen Performance Studies and Communications students at Monash University in Melbourne, Australia undertook a course on comedy based on a series of six lectures by Agnes Heller in which she outlined ideas from her book, Immortal Comedy. Subsequently, the students attended a number of comedy shows and other events to perform practical group phenomenological research with an aim to activate the ground opened by Heller’s theories through description of actual comic phenomena. The (...) outcomes—theoretical, experiential and, most surprisingly, pedagogical—were remarkable in their demonstration of the efficacy of group phenomenology as a method of intertwined practice, research and learning. (shrink)

In the 1960’s and 1970’s there was a brief flourishing of practical and group phenomenological work, spurred by a renewed intention towards the things themselves. Despite a growing turn to phenomenology across the Humanities since the 1990’s, there is still much more written about phenomenology than phenomenology performed. This essay sketches a brief history of group phenomenological methods which have sought to remedy this situation and outlines a project nearing completion at the Department of Performance Studies at the University of (...) Sydney, Australia, using a small group of trained phenomenological researchers to study the phenomenon of being in audiences. (shrink)