sThe salience of Fyodor Dostoevsky’s novels for philosophical reflection is undeniable. By providing a myriad of often dialectically mediating perspectives on certain subjects, he can serve as a rich fount for philosophical polemic. Many readers have been prone to confine the philosophical import of Dostoevsky’s prose to such a polyphony of dialectically interacting perspectives. In this article, this topic is taken up with a focus on the differing points of view on human salvation espoused by the protagonists of The Brothers (...) Karamazov. It will be argued that Dostoevsky held to a view that only through certain existential struggles the human agent can attain a full-blooded experience of redemption. This argument will be made from the dialectical development of predominantly Ivan and Alyosha Karamazov. (shrink)