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  1. Being grateful for being: Being, reverence and finitude.Damon A. Young - 2005 - Sophia 44 (2):31-53.
    Atheists are rarely associated with holiness, yet they can have deeply spiritual experiences. Once such experience of the author exemplified ‘the holy’ as defined by Otto. However, the subjectivism of Otto’s Kantianism undermines Otto’s otherwise fruitful approach. While the work of Hegel overcomes this, it is too rationalistic to account for mortal life. Seeking to avoid these shortcomings, this paper places ‘holiness’ within a self-differentiating ontological unity, the Heideggerian ‘fourfold’. This unity can only be experienced by confronting groundless finite mortality, (...)
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  • Why Rehabilitate the Greeks?: Politics and Modernity.Gillian Robinson - 1995 - Thesis Eleven 41 (1):54-75.
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  • A Transgressive Global Research Imagination.Jane Kenway & Johannah Fahey - 2009 - Thesis Eleven 96 (1):109-127.
    In this article we explore the ways in which the notion of the imagination might be mobilized to support researchers to develop transgressive research imaginations and communities with the capacities to think, 'be' and 'become' differently in a world of research increasingly governed by rampant reductionist rationality. To assist us we draw from the evocative views of imagination developed by Cornelius Castoriadis, the imagination's most radical exponent. In this article his ideas about knowledge and its links to the imagination will (...)
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  • Envisioning Autonomy through Improvising and Composing: Castoriadis visiting creative music education practice.Panagiotis A. Kanellopoulos - 2012 - Educational Philosophy and Theory 44 (2):151-182.
    Do psychological perspectives constitute the only way through which the role of musical creativity in education can be addressed, researched and theorised? This essay attempts to offer an alternative view of musical creativity as a deeply social and political form of human praxis, by proposing a perspective rooted in the thought of the political philosopher and activist Cornelius Castoriadis (1922–1997). This is done in two steps. First, an attempt is made to place the pursuit of the concept of musical creativity (...)
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  • New individualist configurations and the social imaginary: Castoriadis and Kristeva.Anthony Elliott - 2012 - European Journal of Social Theory 15 (3):349-365.
    The broad purpose of this article is to explore the theoretical conditions for understanding the new individualist configurations of imagination and identity in contemporary culture and critical discourse. The article begins with a sketch of recent debates in social theory on identity, individualization and new individualism, focusing on the work of Giddens, Beck, and Bauman, as well as Lemert and Elliott. The second part of the article turns to consider, in some detail, the path breaking contributions of Cornelius Castoriadis on (...)
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  • Autonomy and modern liberal democracy: From Castoriadis to Gauchet.Natalie J. Doyle - 2012 - European Journal of Social Theory 15 (3):331-347.
    Marcel Gauchet’s recently published theory of democracy sheds light on the way his understanding of modernity emerged from Castoriadis’s notion of autonomy but also deepened it by contextualizing it within a discussion of modern historicity. Modern autonomy means re-shaping the world through a new, transformative, form of power that draws on humanity’s capacity for imaginary creation. Gauchet’s theory of modernity, however, rejects the possibility of radical historical creation. Faithful to the teachings of structuralism, it explores the structural conditions behind the (...)
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