Resumen Platón proyecta en la República un programa cultural que supone la redefinición del papel de la poesía tradicional en razón de su asociación con los regímenes democrático y tiránico. Esto, según pretendo mostrar, puede vincularse de manera legítima con la polémica anticirenaica de Platón contra Aristipo. Para ello, por un lado, exploraré los rasgos del biotipo tiránico y su régimen concomitante en la República VIII-IX y, por otro, analizaré sus vínculos con los planteamientos anticirenaicos en el Gorgias. Este examen (...) permitirá ofrecer claves de análisis para dos pasajes muy discutidos de la República IX: el símil del ascensor y el número del tirano, que cobran una nueva luz a partir de la consideración de esta polémica intrasocrática.Plato put forward in Republic a cultural program which implies the redefinition of the role of traditional poetry due to its association with the democratic and tyrannical regimes. I intend to show that this point is connected with the anti-cyrenaic arguments that Plato raises against Aristippus. On the one hand, I will study the features of the tyrannical biotype and its correspondent regime in Republic VIII-IX, and, on the other, I will analyze its links with the anti-cyrenaic arguments in Gorgias. This exam will allow us to offer some clues to better understand two widely debated passages in Republic IX: the analogy of the lift and the tyrant’s number. Both acquire a new perspective when this intra-socratic polemic is taken into account. (shrink)

This paper revisits Plato’s and Aristotle’s views on mimesis with a special emphasis on mythos as an integral part of it. I argue that the Republic ’s notorious “mirror argument” is in fact ad hominem : first, Plato likely has in mind Agathon’s mirror in Aristophanes’ Thesmoforiazusae, where tragedy is construed as mimesis ; second, the tongue-in-cheek claim that mirrors can reproduce invisible Hades, when read in combination with the following eschatological myth, suggests that Plato was not committed to a (...) mirror-like view of art; third, the very omission of mythos shows that the argument is a self-consciously one-sided one, designed to caricature the artists’ own pretensions of mirror-like realism. These points reinforce Stephen Halliwell’s claim that Western aesthetics has been haunted by a «ghostly misapprehension» of Plato’s mirror. Further evidence comes from Aristotle’s “literary” discussion: rather than to the “mirror argument”, the beginning of the Poetics points to the Phaedo as the best source of information about Plato’s views on poetry. (shrink)

The aim of this paper is to discuss some features of the doctrines of the agrapha dogmata in Neoplatonism, starting from the reading of an anecdote, presented in the Anonymous Prolegomena to Platonic Philosophy, in which Plato dreams that close to death he becomes a swan which hunters are unable to catch. In fact, the dream is an explanation of the development of the Platonic tradition, and, more precisely, it presents a story of several exegetical disagreements that have survived till (...) the present day. Compared to modern interpretation of the Aristotelic testimony on the “so-called unwritten doctrines”, we can state that the late antique interpretations of them focus and depend on what Plato has left us in his written dialogues, which are the best living images of his oral dialogues. This conclusion is, then, a consequence of a study carried out on Ancient and Neoplatonic texts that leads to the acknowledgement of a Platonic philosophical system as well as to an overview of modern secondary bibliography produced by the esoteric interpretation of Plato and various views of scholars who are against this account. (shrink)