Tradicionalmente, las primas de los contratos de seguros se han considerado justas o equitativas cuando se corresponden exactamente con el riesgo de las pólizas, medido este último mediante la esperanza matemática de la siniestralidad. En este artículo llevamos a cabo una crítica de este enfoque aparentemente objetivo y proponemos una justificación alternativa de la denominada equidad actuarial, basada en argumentos contractualistas. Para ello nos apoyamos en ciertas intuiciones de Jean Domat, un jurista francés del siglo XVII, acerca de la incertidumbre (...) compartida, integradas dentro del marco general proporcionado por la teoría contractualista del economista y filósofo contemporáneo Robert Sugden. (shrink)

This article develops an analytical framework to study the role of narratives in markets and argues that there is a relationship between the structure and composition of narratives produced by market actors and market dynamics. With respect to theory, the article bridges the perspectives that study markets as cultures and as fields and draws from the organizational studies approach to the analysis of narratives. Two empirical cases of the crises narratives in the emerging contemporary art markets of Russia and India (...) illustrate the use of the framework. The analysis is based on in-depth interviews with artists and art dealers as well as observations in Moscow, Saint Petersburg, New Delhi, and Mumbai conducted between April 2012 and June 2013. The article shows that there is a widely shared crisis narrative with a coherent structure in the Indian art market. In contrast, fragmented and contested stories that lack narrative structure dominate in the Russian art market. The analysis of the first case highlights the narrative structure and shows the productive work it does in the Indian market—it provides a moral justification of existing market norms and produces a perspective for the future. The analysis of the second case focuses on the context of narrative production and connects the conflicting interpretations of the crisis in the Russian art market to contested hierarchies and persistent uncertainty. (shrink)