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Hegel’s Antigone

The Owl of Minerva 33 (2):179-204 (2002)

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  1. Feminist standpoint theory, Hegel and the dialectical self: Shifting the foundations.Nadine Changfoot - 2004 - Philosophy and Social Criticism 30 (4):477-502.
    The claim that theoretical foundations are historically contingent does not draw the same intensity of fire as it did one or especially two decades ago. The aftermath of debates on the political boundaries created by foundations allows for a deeper exploration of the foundations of feminist theory. This article re-examines the (anti)-Hegelian foundations of the feminist standpoint put forward by Nancy Hartsock and argues that the Hegelian subject of the early Phenomenology of Spirit resists gender codification in its experience of (...)
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  • St. Vitus’s Women of Color: Dancing with Hegel.M. Hall Joshua - 2017 - Comparative and Continental Philosophy 9 (1).
    In the first section of this essay, I offer a brief overview of Hegel’s dozen or so mentions of dance in his Lectures on Aesthetics, focusing on the tension between Hegel’s denigration of dance as an “imperfect art” and his characterization of dance as a potential threat to the other arts. In the second section, I turn to an insightful essay from Hans-Christian Lucas on Hegel’s “Anthropology,” focusing on his argument that the Anthropology’s crucial final sections threaten to undermine Hegel’s (...)
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  • Feminism and Hegel's Phenomenology of Spirit: ‘Lordship and Bondage’ and ‘Ethical Action’.J. M. Fritzman & Jeffrey A. Gauthier - 2009 - Hegel Bulletin 30 (1-2):42-53.
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  • The dialectic of beauty and agency.Kathryn Walker - 2013 - Philosophy and Social Criticism 39 (1):79-98.
    I present Hegel’s position that beauty and moral agency cannot be paired in any productive way, demonstrating this as a culminating claim of the sixth chapter of The Phenomenology of Spirit. In this, we learn that for Hegel, beauty claims an ambiguous position, always eviscerated yet never fully put to rest. This dialectical tension requires that we attend to the place of beauty as it appears in Hegel’s thoughts on morality and marks a departure from a long-standing tradition – exemplified (...)
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