In the aftermath of 9/11, world leaders addressed the nation as a body under threat and hastened in new policies to bolster border protection and ‘securitize’ immigration. While the terrorist attacks cast new forms of public attention on the risks posed by mobile agents, the link between national security and regulating migration has always been at the forefront of the constitution of the nation state. Despite this persistent anxiety towards the social impact of migration and the status of people on (...) the move, a more general understanding of mobility is not only missing in public debates, but has been a lacunae in the social sciences. What is mobility — a state, a force, a set of shifting co-ordinates? How does the definition of mobility shape social attitudes and personal experiences? This article examines the use of organic and mechanistic metaphors that have underpinned the classical paradigm for understanding of mobility in the social sciences. It argues that the global patterns of migration and the contemporary forms of hybrid subjectivity do not fit well with this paradigm. The limits and kinetophobic associations generated by the classical paradigm are examined through Harald Kleinschmidt’s theory of residentialism. The final part of this article outlines an alternative conceptual frame that is based on key terms from complexity theory. (shrink)

What is remarkably unique of the popular cinema in the region of South Asia? How does it lead beyond the vexed notions of the contemporary milieu, namely, hybrid local? How does it transcend the idea of nationally restricted local too? Looking through eclectic motley of popular cinema in the region, this article seeks to unravel such questions with reflexive propositions. It paves the way to comprehend cinematic identity of the region with the adjective of ‘melodrama’, as perceived through the local (...) sociocultural component. It is with the sweep of melodrama, arguably, that cinema of South Asia transcends the notions attached with the category of ‘local’. In this backdrop, this article moots a probing question: What is local in the regional cinemas? Does local mean merely a vexed category in contemporary context of transnational flow? Or there is more to the category of local, beyond the existing formulations? With these questions, this article seeks to participate in the available discourse showing the regional cinema underpinned by the essentially dynamic nature and scope of the local. (shrink)

Based on materials collected during a fieldwork in Barnaul (Siberia, Russia) in 2001–2004, the article explores two provincial academic discourses that are focused on issues of Russian national identity. Ethnohistories of trauma address Russia’s current problems through the constant re-writing of the country’s past in order to demonstrate the non-Russian character of its national and state institutions. In the second discourse, ethno-vitalism, the struggle over constructing and interpreting the nation’s memory of the past is replaced with a similar struggle over (...) constructing and interpreting perceptions of the nation’s current experience. Produced by professional intelligentsia, these frameworks and discourses provide a useful link to understanding imaginary constructions of the national belonging in a situation where more positive ways of inventing traditions and imagining communities are unavailable or discredited. (shrink)

This study is an intervention in postcolonial theorising through a critique of technologies of representation. It examines the effects of technologically-mediated representation in a postcolonial condition that the Philippines has exemplified. New media technologies are mechanisms of representations that embody the logic of spectrality presented in Jacques Derrida’s later work. Spectrality, which brings doubts, ephemerality, and instability to dominant discourses and modes of representation, provides a chance for change.Spectres are effects of technologically-mediated representation that articulate the infinite demand for justice (...) under conditions of enduring inequality. As quasi-transcendental elements of deconstruction, spectres are not reducible to either human or technical intervention; they express the relation of humans to technologies, in which representation is central to the mediation of political authority. This technological representation is the condition of what Derrida calls “iteration,” or the transformation of hegemonic authority through the very repetition of its fundamental terms of identification. The examination of emancipatory new media technologies in a postcolonial condition is inspired by the work of Jacques Derrida, in his deconstructive reading of Marx’s spectres. However, the writings of Habermas and Adorno have offered an implicit appraisal of the ontology of spectres. Habermas’s theory of the public sphere and Adorno’s negative dialectics are discourses that unwittingly solicit spectres. The account of the postcolonial condition in the Philippines works through the questions of universality, subalternity, and the right to theory that are raised by the project of Western critical theory. (shrink)

This article examines the use of organic and mechanistic metaphors that have underpinned the modeling of national governance in the social sciences and also framed the representation of the social impact of migration. It argues that the global patterns of migration and the contemporary forms of hybrid subjectivity do not fit well with these conceptual frameworks. The limits of this framework are examined through Harald Kleinschmidt's theory of residentialism, and the outlines of an alternative conceptual frame is proposed by drawing (...) on key terms that have been developed in complexity theory. (shrink)