: This paper combines Simondon’s philosophy of individuation with some aspects of post-humanist and‘new materialist’ thought, while, at the same time, remaining within the ambit of a more classically ‘historical’characterisation of materialism. Two keywords drawn from Karen Barad and Simondon respectively – ‘ontoepistemology’and ‘axiontology’ – represent the red thread of a narrative that connects the early modern invention of civil science to Wiener’s cybernetic theory ofsociety. The political stakes common to these forms of what I call ‘banal’ materialism, Simondon attacked (...) ontologically,epistemologically and politically. The conceptual tools Simondon’s philosophy of individuation elaborates prove tosupport a ‘non-banal’ materialist critique of the alleged ‘unsocial sociability’ of human nature theorised in modernpolitical theory. A genuine materialist approach, as I will argue, allows us to shift political thinking from politicsconceived as a problem to be solved to politics as an arena of strategic experimentation. (shrink)

Medical schools are among the most important spaces for the history of the body. It is here that students come to know the anatomical bodies of their future patients and, through a process of cognitive and embodied practice, that the knowing bodies of future clinicians are also shaped. Practical and theoretical understandings of medicine are formed in these affective and historied buildings and in collaboration with a broad material culture of education. Medical schools are, however, both under-theorised and under-historicised. This (...) article integrates ‘materialist’ considerations of the body with Henri Lefebvre’s philosophy of space and rhythm in order to compare two markedly different spaces – the 19th-century Anatomy Department at Semmelweis University in Hungary and the mid-20th-century ‘skills laboratory’ at Maastricht University in the Netherlands. This comparison suggests that biomedical bodies are variously shaped by the agential and affective material histories present in the everyday experience of contemporary medical education. (shrink)

El presente texto pretende reivindicar agencias materiales en las prácticas de la pintura al óleo. El artículo comienza presentando algunos debates sobre la importancia de la materialidad desde una estética posthumana, relacional y ecológica inspirada por las teorías de los nuevos materialismos y sus distintos anclajes (la teoría del actor-red, las epistemologías feministas de la tecno-ciencia, la ontología orientada a los objetos o la cultura material post fenomenológica). A continuación, presentaré algunos ejemplos de mediaciones o hibridaciones socio-técnicas en la pintura (...) al óleo donde agencias humanas y no humanas se involucran para articular y sostener los cuadros; pero también para traicionar, interrumpir y asombrar las intenciones de sus autores, la estabilidad de sus pigmentos y la autenticidad de su apreciación estética. Finalmente, desplegaré un proceso de ontogénesis material de un instrumento pictórico, la paleta, como agenciamiento esperanzador para abandonar los dualismos de la modernidad estética. (shrink)