In this article, I address the epistemological role that geometry plays in Kepler’s Harmonices Mundi Libri V and argue that the framework he develops there is meant to address concerns regarding the confirmation of astronomical hypotheses, which are supported by comments in earlier works regarding empirical underdetermination. The geometrical epistemology that he constructs to combat these concerns in the Harmonices Mundi is introduced in Book I and then is extended to his theory of harmonic proportion in Book III, finally providing (...) the foundation for his derivation of the planetary motions in Book V. To argue for these claims, I begin by discussing Kepler’s concern with underdetermination in earlier works. Then I turn to the Harmonices Mundi and argue that Kepler seeks to provide a geometrical system that directly links the theorist with the world. Finally, I show how he applies this system to his astronomy via his harmonic theory. This account not only helps us to understand Kepler’s scientific methodology better but also sheds light on Kepler’s enthusiasm for the results of the Harmonices Mundi by showing how they provide an example of the successful application of his geometrical epistemology. (shrink)

Kepler is mainly known among historians of science for his astronomical theories and his approaches to problems having to do with philosophy of science and ontology. This paper attempts to contribute to Kepler studies by providing a discussion of a topic not frequently considered, namely Kepler’s theory of the soul, a general theory of knowledge whose central problem is what makes knowledge possible, rather than what makes knowledge true, as happens in the case of Descartes’s and Bacon’s epistemologies. Kepler’s theory (...) consists of four issues: the theory of the different sorts of soul—that is, the human soul, the animal soul, the vegetable soul, and the Earth soul—concerning their faculties, the differences and the resemblances emerging among them, the relation they maintain with their own bodies and the world, and the distinction soul–world. The paper discusses these issues from a historical perspective, that is, it reconstructs the way they appear in three periods of Kepler’s career: the period prior to the publication of the Mysterium cosmographicum, the period from 1596 to 1611, and the period of the Harmonices mundi libri V. Finally, Kepler’s epistemology is briefly contrasted with Descartes’s and Bacon’s in order to suggest that Kepler’s could be seen as a third way to understand the philosophical origins of Modernity.Keywords: Johannes Kepler; René Descartes; Francis Bacon; Anima; Force; Animism. (shrink)