European Journal of Philosophy, Volume 30, Issue 1, Page 169-181, March 2022.

There is currently no consensus about a general account of hallucination and its object. The problem of hallucination has de facto generated contrasting accounts of perception, led to opposing epistemic and metaphysical positions, and, most significantly, exposed a manifold of diverging views concerning the intentionality of experience, in general, and perceptual intentionality, in particular. In this article, I aim to clarify the controversial status, experiential possibility, and intentional structure of hallucination qua distinctive phenomenon. The analysis will first detect a phenomenological, (...) Husserlian-informed concept of hallucination in its irreducibility to other kinds and modes of sensory experience. This will set the theoretical basis to develop an account of hallucination by means of a morphological description of those diversified structures of intentional consciousness that lend themselves to generate hallucinatory appearances. I will then describe both the turning of certain kinds of intentional experience into hallucinatory perceptions and the status of hallucinatory objects. This will support the possibility of hallucination in a strict and rigorous sense, elucidate the enigmatic claim that ‘in hallucination we are conscious of something while nothing truly appears,’ and offer a seminal perspective concerning the alleged problem that hallucinations pose on perceptual intentionality. With the aid of some crucial distinctions, I will then argue that hallucinations do not affect perceptual intentionality as a dyadic, relational structure. (shrink)

Various attempts have been made recently to bring Husserl into the contemporary analytic discussion on sensory illusion and hallucination. On the one hand, this has resulted in a renewed interest in what one might call a ‘phenomenology of sense-deception.’ On the other hand, it has generated contrasting—if not utterly incompatible—readings of Husserl’s own account of sense perception. The present study critically evaluates the contemporary discourse on illusion and hallucination, reassesses its proximity to Husserl’s reflection on sensory perception, and highlights the (...) philosophical limits and structural deficiencies of the current debate in light of some of Husserl’s insights. The analysis first provides a synopsis of the argumentative structures, aims, and assumptions informing the conjunctivism-disjunctivism debate. This assessment is then critically elaborated through the lens of Husserlian phenomenology in its historical and theoretical distance from the recent debate. Contrary to certain readings of Husserl, the reconstruction of some cardinal phenomenological themes provides all the elements necessary to dislocate his own account from the conjunctivism-disjunctivism dispute, by means of both a ‘global’ and a ‘local’ analysis, and both exegetically and theoretically. Most importantly, a ‘return’ to Husserl shows the philosophical untenability of the whole controversy as not only leaving untouched the core problem of perception but also altering some of its essential traits. This critique of the image of experience portrayed in the contemporary discussion is conducted through a phenomenological clarification of perception as a distinct ‘structure of rules’ of consciousness and, more specifically, by means of a descriptive analysis centered on the core notion of horizonal-intentionality. (shrink)

In his 1922/1923 articles for the Japanese magazine _Kaizō_, Edmund Husserl identifies a particular “humanity” or human culture by the purposeful idea [_Zweckidee_] consciously embraced by the community. This purposeful idea is attained through rational self-formation on the part of the community in a manner analogous to the rational self-formation of the individual human being. Thereafter, it can be referenced to distinguish different cultures (or stages of cultural development) from one another through its objective manifestation in communal groups and cultural (...) products, as Husserl retraces in a historical account of the development of Western history. This paper explores the essential character of this conception of the purposeful idea from both an exegetical and a systematic perspective, examining in particular the relationship between such an idea and the values experienced by individual subjects within a culture (which are, according to Husserl, also available at the level of objective culture in relation to a communal subject). The paper argues that Husserl’s basic conception of the purposeful idea is a good model for understanding certain essential characteristics of cultural constitution in general, although some of his fundamental assumptions—especially the strict identity he attempts to establish between a purposeful idea as such and the specific goal of universal, rational self-understanding—turn out to be somewhat more questionable in light of the connection between the purposeful idea and the genuinely felt values underlying it. (shrink)