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  1. Social Psychology, Consumer Culture and Neoliberal Political Economy.Matthew McDonald, Brendan Gough, Stephen Wearing & Adrian Deville - 2017 - Journal for the Theory of Social Behaviour 47 (3):363-379.
    Consumer culture and neoliberal political economy are often viewed by social psychologists as topics reserved for anthropologists, economists, political scientists and sociologists. This paper takes an alternative view arguing that social psychology needs to better understand these two intertwined institutions as they can both challenge and provide a number of important insights into social psychological theories of self-identity and their related concepts. These include personality traits, self-esteem, social comparisons, self-enhancement, impression management, self-regulation and social identity. To illustrate, we examine how (...)
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  • Lifestyle and Consumer Culture.Mike Featherstone - 1987 - Theory, Culture and Society 4 (1):55-70.
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  • Articles.C. A. Bowers, Vicky Newman, Paul Brawdy & Rita Egan - 2001 - Educational Studies 32 (4):401-452.
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  • America' Meets `Japan.Jacob Raz & Aviad E. Raz - 1996 - Theory, Culture and Society 13 (3):153-178.
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  • Learning to Consume: Early Department Stores and the Shaping of the Modern Consumer Culture.Rudi Laermans - 1993 - Theory, Culture and Society 10 (4):79-102.
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  • Toward a Phenomenological Psychology of Cultural Artifacts.Christopher M. Aanstoos - 1997 - Journal of Phenomenological Psychology 28 (1):66-81.
    Phenomenological psychology is shown as a means to examine implications of mass-commodity culture, through the presentation of a phenomenological analysis of a TV commercial. This advertisement plays upon the vicissitudes of fathers' experiences of their relationships with their pre-pubescent daughters. The findings disclose an image of a father's ambivalently lived inability to tolerate his daughter's first sexual attraction to another male, and his attempt to continue to control the satisfaction of his daughter's bodily desire through commodities. The significance of and (...)
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  • Why Modern Architecture Emerged in Europe, not America: The New Class and the Aesthetics of Technocracy.David Gartman - 2000 - Theory, Culture and Society 17 (5):75-96.
    Using theories by Pierre Bourdieu and the Frankfurt School that causally link art to class interests, this article examines the differential development of modern architecture in the United States and central Europe during the early 20th century. Modern architecture was the aesthetic expression of technocracy, a movement of the new class of professionals, managers and engineers to place itself at the center of rationalized capitalism. The aesthetic of modernism, which glorified technology and instrumental reason, was weak and undeveloped in the (...)
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  • The Orient Strikes Back.Brian Moeran - 1996 - Theory, Culture and Society 13 (3):77-112.
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  • Television, Consumption and the Commodity Form.Robert Dunn - 1986 - Theory, Culture and Society 3 (1):49-64.
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