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Political agency and the ambivalence of the sensible

In Gabriel Rockhill & Philip Watts (eds.), Jacques Rancière: History, Politics, Aesthetics. Durham: Duke University Press (2009)

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  1. Humanism from an agonistic perspective: Themes from the work of Bonnie Honig.Mathew Humphrey, David Owen, Joe Hoover, Clare Woodford, Alan Finlayson, Marc Stears & Bonnie Honig - 2014 - Contemporary Political Theory 13 (2):168-217.
    This paper examines Honig’s use of Rancière in her book ‘Democracy and the Foreigner’. In seeking to clarify the benefits of ‘foreignness’ for democratic politics it raises the concern that Honig does not acknowledge the ways in which her own democratic cosmopolitanism may be more akin to Rancière’s police than politics. By challenging Honig’s assertion that democracy is usually read as a romance with the suggestion that it is more commonly read as a horror, I unpick the interstices of Honig’s (...)
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  • Sunrise.Gian Carla Agbisit - 2021 - Kritike 15 (2):i-i.
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  • On the Amateur and the Critic and the Double Factoring of the Pandemic.Virgilio Rivas - 2021 - Kritike 15 (2):20-38.
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  • Contesting representation: Rancière on democracy and representative government.Matthias Lievens - 2014 - Thesis Eleven 122 (1):3-17.
    Several authors have recently stressed the constitutive and ubiquitous nature of representation, which, as a result, can no longer be conceived as a relation between pre-existing entities. This has important consequences for democratic representation, traditionally thought in terms of authorization, accountability or representativity. This article argues that Jacques Rancière’s political philosophy makes a fruitful contribution to the necessary rethinking of democratic representation. Although Rancière never systematically developed a theory of representation, this concept is shown to constitute a red thread throughout (...)
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