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  1. Cielesna geneza czasu i przestrzeni.Marek Pokropski - 2013 - Warszawa: IFiS PAN.
    Dotyczy: przestrzeń, czas, ciało, kognitywistyka, fenomenologia.
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  • Can “I” prevent you from entering my mind?Marc Champagne - 2013 - Phenomenology and the Cognitive Sciences 12 (1):145-162.
    Shaun Gallagher has actively looked into the possibility that psychopathologies involving “thought insertion” might supply a counterexample to the Cartesian principle according to which one can always recognize one’s own thoughts as one’s own. Animated by a general distrust of a priori demonstrations, Gallagher is convinced that pitting clinical cases against philosophical arguments is a worthwhile endeavor. There is no doubt that, if true, a falsification of the immunity to error through misidentification would entail drastic revisions in how we conceive (...)
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  • Pre-Reflective Self-Consciousness.Dorothée Legrand - 2007 - Janus Head 9 (2):493-519.
    Empirical and experiential investigations allow the distinction between observational and non-observational forms of subjective bodily experiences. From a first-person perspective, the biological body can be (1) an "opaque body" taken as an intentional object of observational consciousness, (2) a "performative body" pre-reflectively experienced as a subject/agent, (3) a "transparent body" pre-reflectively experienced as the bodily mode of givenness of objects in the external world, or (4) an "invisible body" absent from experience. It is proposed that pre-reflective bodily experiences rely on (...)
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  • Habeas corpus: The sense of ownership of one's own body.Frederique de Vignemont - 2007 - Mind and Language 22 (4):427-449.
    What grounds my experience of my body as my own? The body that one experiences is always one’s own, but it does not follow that one always experiences it as one’s own. One might even feel that a body part does not belong to oneself despite feeling sensations in it, like in asomatognosia. The article aims at understanding the link between bodily sensations and the sense of ownership by investigating the role played by the body schema.
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  • Habeas Corpus: poczucie własności swojego ciała.Frederique de Vignemont - 2012 - Avant: Trends in Interdisciplinary Studies 3 (T):83-114.
    What grounds my experience of my body as my own? The body that one experiences is always one’s own, but it does not follow that one always experiences it as one’s own. One might even feel that a body part does not belong to oneself despite feeling sensations in it, like in asomatognosia. The article aims at understanding the link between bodily sensations and the sense of ownership by investigating the role played by the body schema.
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  • Embodiment, ownership and disownership.Frédérique de Vignemont - 2011 - Consciousness and Cognition 20 (1):1-12.
    There are two main pathways to investigate the sense of body ownership, (i) through the study of the conditions of embodiment for an object to be experienced as one's own and (ii) through the analysis of the deficits in patients who experience a body part as alien. Here, I propose that E is embodied if some properties of E are processed in the same way as the properties of one's body. However, one must distinguish among different types of embodiment, and (...)
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  • Metzinger's matrix: Living the virtual life with a real body.Shaun Gallagher - 2005 - PSYCHE: An Interdisciplinary Journal of Research On Consciousness 11.
    Is it possible to say that there is no real self if we take a non-Cartesian view of the body? Is it possible to say that an organism can engage in pragmatic action and intersubjective interaction and that the self generated in such activity is not real? This depends on how we define the concept "real". By taking a close look at embodied action, and at Metzinger's concept of embodiment, I want to argue that, on a non-Cartesian concept of reality, (...)
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  • To perform the layered body—a short exploration of the body in performance.Helena De Preester - 2007 - Janus Head: Journal of Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology, and the Arts 9 (2):349-383.
    The aim of this article is to focus on the body as instrument or means in performance-art. Since the body is no monolithic given, the body is approached in terms of its constitutive layers, and this may enable us to conceive of the mechanisms that make performances possible and operational, i.e. those bodily mechanisms that are implicitly or explicitly controlled or manipulated in performance. Of course, the exploitation of these bodily layers is not solely responsible for the generation of meaning (...)
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  • (1 other version)Reply to Cole, Sacks and Waterman.Shaun Gallagher - 2000 - Trends in Cognitive Sciences 4 (5):167-168.
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