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  1. Mining Tacitus: secrets of empire, nature and art in the reason of state.Vera Keller - 2012 - British Journal for the History of Science 45 (2):189-212.
    A new political practice, the ‘reason of state’, informed the ends and practices of natural study in the late sixteenth century. Informed by the study of the Roman historian Tacitus, political writers gathered ‘secrets of empire’ from both history and travel. Following the economic reorientation of ‘reason of state’ by Giovanni Botero (1544–1617), such secrets came to include bodies of useful particulars concerning nature and art collected by an expanding personnel of intelligencers. A comparison between various writers describing wide-scale collections, (...)
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  • The Natural Philosopher and the Microscope: Nicolas Hartsoeker Unravels Nature's “Admirable Œconomy”.S. Catherine Abou-Nemeh - 2013 - History of Science 51 (1):1-32.
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  • Inside the Kunstkammer: the circulation of optical knowledge and instruments at the Dresden Court.Sven Dupré & Michael Korey - 2009 - Studies in History and Philosophy of Science Part A 40 (4):405-420.
    The Kunstkammer of the Electors of Saxony, founded in Dresden around 1560, housed one of the richest collections of tools and scientific instruments in its day. A close analysis of the optical objects in the collection in the decades around 1600 is undertaken here—in particular, their arrangement by a mathematically trained curator, Lucas Brunn, and their use in an ‘experiment’ by a distinguished visitor, Johannes Kepler. It is argued that the selection, display and use of optical objects within this collection (...)
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