Among the various claims by early Chinese philosophers to hear someone’s de 德 or virtue through their music, the most astonishing statement may be found in the Yue Ji 樂記 : “Only Music cannot be faked”. While this classic Ru 儒 musical treatise on the development of human excellence in accordance with music is wide-ranging, the aim of this essay is narrow, in that it seeks to interpret this single sentence of the text by way of an explanation of the (...) reciprocal patterning between authentic emotions, character, and sound described by the Yue Ji. (shrink)

This paper discusses certain conceptual tensions in a set of archeological texts from the Warring States period, the Guodian corpus. One of the central themes of the Guodian corpus is the disanalogy between spontaneous, natural familial relationships and artificial political relationships. This is problematic because, like many early Chinese texts, the Guodian corpus believes that political relationships must come to be characterized by unselfconsciousness and spontaneity if social order is to prevail. This tension will be compared to my earlier work (...) on the “paradox of wu-wei (effortless action),” and the Guodian corpus’ “solution” to the problem of teaching spontaneity—drawing upon the transformative power of music—will be placed within the landscape of early “Confucian” and “Daoist” theories concerning human nature and self-cultivation. (shrink)