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  1. Graphic Understanding: Instruments and Interpretation in Robert Hooke's Micrographia.Michael Aaron Dennis - 1989 - Science in Context 3 (2):309-364.
    The ArugmentThis essay answers a single question: what was Robert Hooke, the Royal Society's curator of experiments, doing in his well-known 1665 work,Micrographia?Hooke was articulating a “universal cure of the mind” capable of bringing about a “reformation in Philosophy,” a change in philosophy's interpretive practices and organization. The work explicated the interpretive and political foundations for a community of optical instrument users coextensive with the struggling Royal Society. Standard observational practices would overcome the problem of using nonstandard instruments, while inherent (...)
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  • A new perspective on John Rowley, Virtuoso Master of mechanics and hydraulic engineer.John H. Appleby - 1996 - Annals of Science 53 (1):1-27.
    Although best known as a scientific instrument maker, John Rowley extended his sphere of activity very considerably as Master of Mechanics to George I and as a hydraulic engineer at the Offices of Ordnance and Works. Re-examined and untapped sources provide fresh evidence of these aspects of his work and highlight his predilection for the arts and the virtuosity of his artefacts. The findings also have implications for studies of the instrument-making trade in the early eighteenth century.
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  • From Print to Patents: Living on Instruments in Early Modern Europe.Mario Biagioli - 2006 - History of Science 44 (2):139-186.
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  • Science, Instruments, and Guilds in Early-Modern Britain.Larry Stewart - 2005 - Early Science and Medicine 10 (3):392-410.
    The emergence of instrument-making trades in early-modern England tested the power of established guilds. From the seventeenth century, instrument makers were able to exploit growing markets for scientific apparatus and attempted to exploit connections with the Royal Society. Given the growth in both local and international demand, and in new methods of manufacture, instrument makers were frequently able to evade the diminishing power of guilds to police the efforts of the makers.
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  • Material doubts: Hooke, artisan culture and the exchange of information in 1670s London.Rob Iliffe - 1995 - British Journal for the History of Science 28 (3):285-318.
    In this paper I analyse some resources for the history of manipulative skill and the acquisition of knowledge. I focus on a decade in the life of the ‘ingenious’ Robert Hooke, whose social identity epitomized the mechanically minded individual existing on the interface between gentleman natural philosophers, instrument makers and skilled craftsmen in late seventeenth-century London. The argument here is not concerned with the notion that Hooke had a unique talent for working with material objects, and indeed my purpose is (...)
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  • The office of ordnance and the instrument-making trade in the mid-eighteenth century.John R. Millburn - 1988 - Annals of Science 45 (3):221-293.
    Records of certain Government Departments known to have purchased scientific instruments from designated suppliers over long periods are potentially important sources of information on both instruments and their makers. The Office of Ordnance was one such Department. Investigation of its financial and administrative records has shown that the appointment ‘Mathematical Instrument Maker to his Majesty's Office of Ordnance’ brought the holder a substantial trade in instruments for drawing, surveying, and military purposes. Detailed entries in the Bill Books enable not only (...)
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  • Evidence from advertising for mathematical instrument making in London, 1556–1714.D. J. Bryden - 1992 - Annals of Science 49 (4):301-336.
    The paper examines the structure of the mathematical instrument making trade in London from the mid-sixteenth century to the opening of the Hanoverian era. This analysis of the trade is primarily based on evidence drawn from contemporary advertising. A distinction between informal editorial recommendations and advertising per se is made. It is concluded that up to the mid-seventeenth century mathematical instrument makers worked in either wood or metal. After that date a growing number of workshops advertised that they manufactured in (...)
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  • Practical mathematicians and mathematical practice in later seventeenth-century London.Philip Beeley - 2019 - British Journal for the History of Science 52 (2):225-248.
    Mathematical practitioners in seventeenth-century London formed a cohesive knowledge community that intersected closely with instrument-makers, printers and booksellers. Many wrote books for an increasingly numerate metropolitan market on topics covering a wide range of mathematical disciplines, ranging from algebra to arithmetic, from merchants’ accounts to the art of surveying. They were also teachers of mathematics like John Kersey or Euclid Speidell who would use their own rooms or the premises of instrument-makers for instruction. There was a high degree of interdependency (...)
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