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  1. Seeing through The Bell Jar: Investigating Linguistic Patterns of Psychological Disorder. [REVIEW]Daniel Hunt & Ronald Carter - 2012 - Journal of Medical Humanities 33 (1):27-39.
    As a means of conveying difficult personal experiences, illness narratives and their analysis have the potential to increase awareness of patients’ lives and circumstances. Becoming sensitised to the linguistic texture of narrative offers readers a means of increasing narrative understanding. Using the fictional narrative of The Bell Jar , this paper outlines a novel method for exploring the language of illness narratives. Corpus stylistics provides new insights into narrative texture and demonstrates the importance of recurrent linguistic features in shaping meaning. (...)
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  • Women’s Auto/Biography and Dissociative Identity Disorder: Implications for Mental Health Practice.Kendal Tomlinson & Charley Baker - 2019 - Journal of Medical Humanities 40 (3):365-387.
    Dissociative Identity Disorder is an uncommon disorder that has long been associated with exposure to traumatic stressors exceeding manageable levels commonly encompassing physical, psychological and sexual abuse in childhood that is prolonged and severe in nature. In DID, dissociation continues after the traumatic experience and produces a disruption in identity where distinct personality states develop. These personalities are accompanied by variations in behaviour, emotions, memory, perception and cognition. The use of literature in psychiatry can enrich comprehension over the subjective experience (...)
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  • Screening Madness in American Culture.Susanne Rohr - 2015 - Journal of Medical Humanities 36 (3):231-240.
    This two-step argument first establishes that the majority of recent American films dealing with mental illness draw on a traditional iconography of madness as it has been established over the centuries in Western culture. In this vocabulary of images, the mad are typically seen as wise fools, as dangerous villains or as gifted geniuses. The author then argues that some of these new films add a fourth category in which the mad are defined as normal and the person with autism (...)
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