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  1. The Rhythm of Echoes and Echoes of Violence.Mickey Vallee - 2017 - Theory, Culture and Society 34 (1):97-114.
    This paper contributes to non-ocularcentric theory and theorizing by way of a methodological application and extension of Henri Lefebvre’s Rhythmanalysis. It explores the cultural dynamics of echoes and history, using as an instrumental case study Steve Reich’s 1966 tape-loop composition, Come Out, to elucidate the ambivalent and contradictory relations of time, temporality, and possibility. While the focus is primarily on the text of Come Out and its context of police brutality and civil rights, it moreover contributes to an enriched and (...)
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  • Why Kinesthesia, Tactility and Affectivity Matter: Critical and Constructive Perspectives.Maxine Sheets-Johnstone - 2018 - Body and Society 24 (4):3-31.
    This article offers critical and constructive perspectives essential to understanding living bodies, and, in effect, to showing that kinesthesia, tactility and affectivity matter because they are central to animate life. Critical perspectives focus on practices that distance us from the lived realities of animate nature, on insights into those realities, and on ways in which language is intimately related to those realities. Constructive perspectives focus on ontogenetic studies that empirically testify to our being animate organisms from the start. The studies (...)
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  • Institutional rhythms : Combining practice theory and rhythmanalysis to conceptualise processes of institutionalisation.Stanley Blue - forthcoming - Rhuthmos.
    This article has already been published in, and is available in open access from Time and Society, 0, 2017, pp. 1-29. We thank Stanley Blue for his permission to republish it here.: The practice turn in social theory has renewed interest in conceptualising the temporal organisation of social life as a way of explaining contemporary patterns of living and consuming. As a result, the interest to develop analyses of time in both practice theories and practice theory-based - Sur le concept (...)
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