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Digital Fabrication and Its Meaning for Film

In Joaquim Braga (ed.), Conceiving Virtuality: From Art to Technology. Cham: Springer (2019)

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  1. Conceptual and moral ambiguities of deepfakes: a decidedly old turn.Matthew Crippen - 2023 - Synthese 202 (1):1-18.
    Everyday (mis)uses of deepfakes define prevailing conceptualizations of what they are and the moral stakes in their deployment. But one complication in understanding deepfakes is that they are not photographic yet nonetheless manipulate lens-based recordings with the intent of mimicking photographs. The harmfulness of deepfakes, moreover, significantly depends on their potential to be mistaken for photographs and on the belief that photographs capture actual events, a tenet known as the transparency thesis, which scholars have somewhat ironically attacked by citing digital (...)
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  • Movies as Environments.Matthew Crippen & Youssef Farida - 2022 - In V. Vinogradovs (ed.), Aesthetic Literacy vol I: a book for everyone. Melbourne: Mont Publishing House.
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