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The Irony in Pictures

British Journal of Aesthetics 51 (2):149-167 (2011)

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  1. Irony, Disruption and Moral Imperfection.Dieter Declercq - 2020 - Ethical Theory and Moral Practice 23 (3):545-559.
    Irony has a suspicious moral reputation, especially in popular media and internet culture. Jonathan Lear (2011) introduces a proposal which challenges this suspicion and identifies irony as a means to achieve human excellence. For Lear, irony is a disruptive uncanniness which arises from a gap between aspiration and actualisation in our practical identity. According to Lear, such a disruptive experience of ironic uncanniness reorients us toward excellence, because it passionately propels us to really live up to that practical identity. However, (...)
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  • Irony, Tragedy, Deception.Gregory Currie - forthcoming - European Journal of Philosophy.
    Two theories dominate the current debate over the nature of verbal irony: the pretence theory and the echoic theory. It is common ground in this debate that irony is sometimes both echoic and enacted through pretence; my concern here is with such cases. I ask how these features interact with each other within a form of irony that has not so far been the focus of theoretical attention: hidden or deceptive irony. This enables us to see that interesting cases of (...)
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  • Interpretation, Irony and “Surface Meanings” in Film.James MacDowell - 2018 - Film-Philosophy 22 (2):261-280.
    In theories of interpretation, the artwork's “surface” is frequently cast as something to be looked past in our quest for meaning. As such, the “surface” has also understandably been the focus of several polemics against the excesses of interpretive criticism – in film scholarship and beyond. This article explores what role concepts of the “surface” and “surface meaning” might fruitfully play in the interpretation of fiction films by thinking about a particular kind of expression-by-implication available to the medium: irony. An (...)
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