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Visual fictions

Philosophical Quarterly 41 (163):129-143 (1991)

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  1. Imagining in response to fiction: unpacking the infrastructure.Alon Chasid - 2019 - Philosophical Explorations 23 (1):31-48.
    Works of fiction are alleged to differ from works of nonfiction in instructing their audience to imagine their content. Indeed, works of fiction have been defined in terms of this feature: they are works that mandate us to imagine their content. This paper examines this definition of works of fiction, focusing on the nature of the activity that ensues in response to reading or watching fiction. Investigating how imaginings function in other contexts, I show, first, that they presuppose a cognitive (...)
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  • Fate, Fiction and the Future.Robin Le Poidevin - 2001 - Philosophical Papers 30 (1):69-92.
    Abstract Some fictions, it seems, represent the future as closed, in the sense that some future-tensed propositions are true in those fictions. Yet it is surprisingly difficult to accommodate this plausible thesis within an account of truth in fiction. A number of putative examples of closed fictional futures are discussed (Macbeth, Oedipus, Time and the Conways, The Time Machine) and the problems encountered in reconciling them with various accounts of truth in fiction (David Lewis', Gregory Currie's, Alex Byrne's) elaborated. Connections (...)
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  • Denying Existence: The Logic, Epistemology and Pragmatics of Negative Existentials and Fictional Discourse.Arindam Chakrabarti - 1997 - Dordrecht, Netherland: Springer.
    Thanks to the Inlaks Foundation in India, I was able to do my doctoral research on Our Talk About Nonexistents at Oxford in the early eighties. The two greatest philosophers of that heaven of analytical philosophy - Peter Strawson and Michael Dummett - supervised my work, reading and criticising all the fledgling philosophy that I wrote during those three years. At Sir Peter's request, Gareth Evans, shortly before his death, lent me an unpublished transcript of Kripke's John Locke Lectures. Work (...)
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  • Aesthetic Pursuits by Jerrold Levinson. [REVIEW]Alan Roberts - forthcoming - British Journal of Aesthetics:ayx036.
    Aesthetic Pursuits is Jerrold Levinson’s newest collection of essays and is marketed as a complement to his 2015 volume Musical Concerns. Whereas Musical Concerns was comprised exclusively of essays on music, Aesthetic Pursuits consists of essays on a variety of topics. As the broad title suggests, these topics are relatively disparate and wide-ranging, including issues of film, humour, literature, beauty and the emotions. All the essays, with one exception, were written after 2006 and offer a view into Levinson’s thinking over (...)
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  • Moral Tales.R. A. Sharpe - 1992 - Philosophy 67 (260):155 - 168.
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  • McTaggart at the Movies.Gregory Currie - 1992 - Philosophy 67 (261):343 - 355.
    I shall argue that cinematic images do not have tense: not, at least, in the sense that has been ascribed to them by film theorists. This does not abolish time in cinema, for there can be temporal relations without tense, and temporal relations between cinematic images can indicate temporal relations between events depicted. But the dispensability of tense will require us to rethink our assumptions about what is sometimes called anachrony in cinema: the reordering of story-time by narrative, of which (...)
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  • Idealist Origins: 1920s and Before.Martin Davies & Stein Helgeby - 2014 - In Graham Oppy & Nick Trakakis (eds.), History of Philosophy in Australia and New Zealand. Dordrecht, Netherlands: Springer. pp. 15-54.
    This paper explores early Australasian philosophy in some detail. Two approaches have dominated Western philosophy in Australia: idealism and materialism. Idealism was prevalent between the 1880s and the 1930s, but dissipated thereafter. Idealism in Australia often reflected Kantian themes, but it also reflected the revival of interest in Hegel through the work of ‘absolute idealists’ such as T. H. Green, F. H. Bradley, and Henry Jones. A number of the early New Zealand philosophers were also educated in the idealist tradition (...)
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