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The Madonna of the Future: Essays in a Pluralistic Art World

Arthur C. Danto

Journal of Aesthetics and Art Criticism 61 (2):198-201 (2003)

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Interpreting AI-Generated Art: Arthur Danto’s Perspective on Intention, Authorship, and Creative Traditions in the Age of Artificial Intelligence.Raquel Cascales - 2023 - Polish Journal of Aesthetics 71 (4):17-29.details Arthur C. Danto did not live to witness the proliferation of AI in artistic creation. However, his philosophy of art offers key ideas about art that can provide an interesting perspective on artwork generated by artificial intelligence (AI). In this article, I analyze how his ideas about contemporary art, intention, interpretation, and authorship could be applied to the ongoing debate about AI and artistic creation. At the same time, it is also interesting to consider whether the incorporation of AI into (...) Download Export citation Bookmark
“Blurred Boundaries”? Rethinking the Concept of Craft and its Relation to Art and Design.Larry Shiner - 2012 - Philosophy Compass 7 (4):230-244.details Art world talk of “blurred boundaries” and “hybrids” between art and craft, suggests that the philosophy of art needs to rethink the concept of craft. This can best be done by adopting four strategies: first, distinguish between craft as a set of disciplines, and craft as a process and practice; second, keep in mind the differences among craft practices such as studio, trade, ethnic, amateur, and DIY; third, recognize that craft’s relationship with design is as important as its relationship to (...) Download Export citation Bookmark 1 citation
Arthur Danto as a Zen master: an interpretation of Danto’s philosophy of art from a Zen perspective.Peng Feng - 2021 - Asian Philosophy 31 (1):33-47.details Arthur Danto is one of the best Anglophone philosophers of art of the second half of the 20th century. His unique methodology of indiscernibility and provocative claim about the end of art have bee... Download Export citation Bookmark
Uncertainty, Art and Marketing - Searching for the Invisible Hand.Romain Laufer - 2017 - Philosophy of Management 16 (3):217-240.details The development of art marketing as a new field of management occurs in a context of great confusion as to what constitutes the very definition of art, one aspect of this confusion being nothing else but the confusion between art and marketing itself. This confusion leads to conflicts between those who consider that art should be defined by a clear aesthetic criterion and those who accept the absence of such a criterion as a legitimate consequence of the principle of freedom (...) Download Export citation Bookmark 1 citation

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