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  1. Cultural Studies and Politics in India Today.Bhaskar Mukhopadhyay - 2006 - Theory, Culture and Society 23 (7-8):279-292.
    Cultural Studies needs to be reinvented for India - a polity where the larger part of the population are disenfranchised non-citizens. The terrain of ‘culture’ here being differently constituted, manners could serve as a useful category for theorizing this difference. Included in ‘manners’ are a different historical formation of subjectivity as well as another ontology of representation. Further, Cultural Studies, so conceived, could productively interrogate that excess of Indian political/public culture which cannot be penetrated by disciplinary political theory. This article (...)
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  • Duplicity, intimacy, community: An ethnography of ID cards, permits and other fake documents in Delhi.Sanjay Srivastava - 2012 - Thesis Eleven 113 (1):78-93.
    In the annals of Indian modernity, narratives of tricksters and counterfeiters have a long, popular, and cautionary history. The topographies of deception outlined by colonial and post-colonial police reports established both its history as an aspect of modern industrial life as well as the city as the ‘scene of the crime’. This article explores the meanings that attach to certain contemporary acts of deceiving and faking, and the ways in which they are both produced by being in the city as (...)
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  • Is there an indian way of filmmaking?Philip Lutgendorf - 2006 - International Journal of Hindu Studies 10 (3):227-256.
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  • Re-visioning obscure spaces: Enduring cosmopolitanism in the Sulu archipelago and Zamboanga peninsula.Jose Jowel Canuday - 2018 - Thesis Eleven 145 (1):77-98.
    In popular imagery, the littorals of Sulu and Zamboanga conjure visions of pirates, terrorists, and bandits marauding its rough seas, open shores, and rugged mountains. These bleak accounts render the region nothing but a violent and peripheral southern Philippine backdoor inconspicuous to the sophisticated constituencies of the world’s metropolitan centres. Obscured from these imageries are the lasting cosmopolitan traits of openness, flexibility, and reception of local folk to trans-local cultural streams that marked Sulu and Zamboanga as a globalised space across (...)
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