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  1. Ovid's autobiographical poem, Tristia 4.10.Janet Fairweather - 1987 - Classical Quarterly 37 (01):181-.
    Ovid's Tristia4.10 has in the past chiefly been considered as a source of biographical information rather than as a poem, but increasing interest in the poetry of Ovid's exile has now at last started to promote serious efforts to appreciate its literary qualities. The poem presents a formidable challenge to the critic: at first reading it seems a singularly pedestrian account of the poet's life and, although one may adduce plenty of parallels for details in its phrasing elsewhere in the (...)
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  • Exegi monumentum: Exile, death, immortality and monumentality in ovid, tristia 3.3.Jennifer Ingleheart - 2015 - Classical Quarterly 65 (1):286-300.
    Tristia3.3 purports to be a ‘death-bed’ letter addressed by the sick poet to his wife in Rome, in which Ovid, banished from Rome on Augustus' orders, foresees his burial in Tomi as the ultimate form of exilic displacement. In order to avoid such a permanent form of exclusion from his homeland, Ovid issues instructions for his burial in the suburbs of Rome, dictating a four-line epitaph to be inscribed upon his tomb. However, despite the careful instructions he outlines for his (...)
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  • Ovid's autobiographical poem, Tristia 4.10.Janet Fairweather - 1987 - Classical Quarterly 37 (1):181-196.
    Ovid's Tristia4.10 has in the past chiefly been considered as a source of biographical information rather than as a poem, but increasing interest in the poetry of Ovid's exile has now at last started to promote serious efforts to appreciate its literary qualities. The poem presents a formidable challenge to the critic: at first reading it seems a singularly pedestrian account of the poet's life and, although one may adduce plenty of parallels for details in its phrasing elsewhere in the (...)
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