In discussing Simone de Beauvoir’s ontological ethics in an earlier article in this journal, the author suggested in passing that she could be seen as a ‘philosopher manqué’, a ‘lost’ or ‘missed’ philosopher, a woman who gave up or rejected philosophy to pursue ideas by better means for her purposes. Here the author explores the idea of de Beauvoir as a philosopher manqué in relation to her play Les Bouches inutiles, using a translation-in-progress into English, The Useless Mouths, to examine (...) ideas about morality, ethics and intersubjectivity expressed within it. De Beauvoir constructs characters around different philosophical positions, which are evaluated by reference to the play’s unfolding action. This turns on men’s hidden evaluation of the category of women as, by definition, ‘the useless mouths’ of society, an evaluation revealed by strategies for survival in the in extremis situation of a town under siege. (shrink)

ABSTRACT This paper presents an analysis of motherhood as potentially ambiguous and empowering, using the Beauvoirian concept of the erotic. I argue that Beauvoir’s notion of the erotic can allow us to reevaluate “nonproductive,” repetitive, apparently immanent activities—such as going through pregnancy, giving birth, breastfeeding, and raising a child—as projects through which we disclose freedom, and, thus, as projects that possibly lead to transcendence.It is often argued that Beauvoir considered these experiences to be ways of embracing immanence and avoiding transcendence. (...) Yet even supposing Beauvoir’s argument was against not maternity per se, but the oppressive construction of the institution of motherhood under patriarchy, can maternal engagement be viewed as an existentialist, phenomenological project? I claim that Beauvoir’s own premises show that it must be so considered once motherhood is recognized as potentially joyful, ambiguously erotic, and creative. (shrink)

Interview met Babs van den Bergh over haar studie filosofie en de daaropvolgende carrière.