This article examines Gilles Deleuze’s and Giorgio Agamben’s thoughts on the immanent creativity emergent from formal, impersonal life as a pathway for resistance to biopolitics. In Coldness and Cruelty, Deleuze explores masochism as the inversion of the sadistic, biopolitical use of the body which can bring forth genuinely new expressions. Agamben dismisses masochistic creativity because it leaves the dialectical ontology of biopower intact to conceptualize his form-of-life as a space of indiscernibility between ontological essence and legal-political actualization. For Agamben, the (...) form-of-life escapes biopolitical capture because it is absolutely detached from its relations. This article argues that the radicalness of this detachment calls into question the political capacity offered by the form-of-life to actively change the relations of biopower. Against this background, Deleuze’s masochistic eroticization of power offers an alternative conceptualization of relationality as external to its terms and productive of expressions which are both thoroughly immanent and genuinely creative. (shrink)

Although it is not clear that Deleuze and Guattari were simply and unambiguously Jungians, they extensively engaged with Jung’s depth psychology in both affirmative and critical ways. It is striking that Deleuze expresses a strong affinity between his work and that of Jung in several texts; Jung’s influence on Deleuze has not tended to be emphasised by scholars, though there is a rapidly growing ‘Jungian turn’ in Deleuze and Guattari studies. This article briefly extracts the influence of Jung on Deleuze (...) and Guattari and, more extensively, explores profound resonances between Deleuze's Difference and Repetition and James Hillman's Re-Visioning Psychology. (shrink)

The late Richard Rorty has sometimes been described as a controversial, or even outrageous, thinker. Yet the reasons that stand behind such a reputation are obviously quite different from in the ca...

In the long line of French Sade studies, Deleuze's essay Coldness and Cruelty marks out a special place. By discussing Masoch both in addition to and in contrast to Sade, Deleuze reveals the stakes of his book: he wants to unmask the concept of sadomasochism as a clinical nonentity. In their paper, the authors explain the arguments supporting this project and show their relation to Deleuze's reading of Bergson. They then argue that there is a second, similarly Bergsonian criticism of (...) Freudian psychoanalysis operating in the background of Coldness and Cruelty. This more wide-ranging criticism takes Freud to task for conceiving perversion, like neurosis, in Oedipal terms. This conception, Deleuze holds, forgets that perversion and neurosis represent two different worlds that essentially have nothing to do with each other despite crossing in clinical experience. (shrink)

This article argues that through her songs and music videos Pagan Poetry, Cocoon and Hidden Place, versatile artist Björk is able to carve out a space for erotic tenderness. This erotic tenderness will be unearthed as a queer or minor sexuality, in the sense that it goes against a phallic and genital majoritarian account of sexuality. Tender sexuality might not be obviously queer, yet a detour through the early work of Freud will show how our hegemonic account of sexuality is (...) built upon a repression of such a tender sexuality. Freud’s psychoanalysis is only able to regard this sexual tenderness in a negative vein as a pathological symptom. Supported primarily by the works of Deleuze, Guattari and Muñoz, this article will propose that Björk’s artistry is able to produce a line of flight outside of this tender-less sexuality, liberating an otherwise repressed minor tender sexuality through a visually and sonically becoming-woman, becoming-child, becoming-BwO and becoming-molecular. (shrink)

The work of Michel Foucault and Gilles Deleuze frequently gave rise to a practice of philosophy as a form of critical problematization. Critical problematization both resonates between their thought and is also generative for contemporary philosophy in their wake. To examine critical problematization in each, a shared theme of inquiry provides a useful focal point. Foucault and Deleuze each deployed critical problematization in the context of studies of sexuality, a site of excited contestation that remains as crucial for us today (...) as it was for them four decades ago. Foucault’s well-known History of Sexuality, Volume 1 and Deleuze’s little-discussed text Coldness and Cruelty thus provide us with exemplary instances of the critical problematization of sexuality. An examination of these two texts, and their broader resonance, illuminates the potential of Foucauldian genealogy and Deleuzian symptomatology as methods for critical problematization today. It is argued that they provide compelling alternatives to modern critical moods that would want to interpret sexuality through a series of oppositions. (shrink)