In this paper, we try to understand what considerations and possible sources of inspiration Desargues used to formulate his concepts of involution and transversal, and to state the related theorems that are at the basis of his Brouillon project. To this end, we trace some clues which are found scattered throughout his works, we connect them together in the light of his experience and knowledge in the field of perspective, and we investigate what were his motivations within Mersenne’s academy. As (...) a result of our research, we can safely say that were his great geometrical insight and his projective vision of space which, guided by some classical theorems, led him to these completely new concepts in the panorama of the geometry of that time that were destined to remain misunderstood for about two centuries. (shrink)

It is tempting to consider Girard Desagues’ mathematical work, more precisely his Brouillon project on conics, as a work of mathematics applied to perspective. We would like to show in this text that it is probably more pertinent to consider that Desargues does mathematics as a practitionner of the art of perspective. We shall analyse a few extracts of Desargues’ work with this point of view in mind so as to shed light on his innovative ideas that could be hard (...) to understand in his sometimes obscure style. We shall show how this way of doing geometry can be also be found in the works Philippe de la Hire and Jacques-Francois le Poîvre, leading them to consider a transformation of the plane into itself as an explicited mathematical object. (shrink)